METAPHYSICAL CUBE
- ParrisVstefanow
- Feb 24
- 15 min read
K: OK. So there's also our Henry Deacon contacts that deal with the “black box” that came on one of the craft.
D: Uh huh.
K: And I don't know if you're familiar with that black box.
D: Uh huh.
K: Did you have exposure to that as well?
D: Yeah. It was something that we called the Cube or the Yellow Disc. Yeah.
K: OK. But that was not ... Was that a Looking Glass?
D: That is a variant of the technology.
K: OK.
D: However, while the Looking Glass shows probabilities, or has shown probabilities, the Cube (image below in link) would react with the people present, so there was an alteration, if you will, over what you were seeing from it. It would actually spin out as a yellow disc out of the top of it ... where the word “Yellow Book” originally came from.
K: Yeah. OK. Yeah.
D: And, depending upon what predisposition ... Kind of like little Yoda telling young Luke, “Bring in there what you have with you.” You know, whatever's there is what you bring. You could then change the perspective, the “tilt,” if you will, the orientation or angle, of the information being presented back to you. So, unless you were well prepared to deal with such a thing, human interaction and human emotions bring instability of the provenance of the information.
K: OK. That's what went on with the black boxes, then.
D: Yes.
WAS NOAH'S ARK A SAUCER-SHAPED SUBMERSIBLE?
"The ship that thou shall build, her dimensions shall be to measure. Equal shall be her width and her length. Like the Abzu thou shall seal her."
- Sumerian Account of the Ark
THE UNUSUAL DESIGN OF NOAH'S ARK
The Ark of Noah is usually depicted in illustrations as an ancient sea-going ship with rounded hull, pointed prow and stern, with a keel running the full length of the ship. On its deck a cabin is shown running the length of the ship.
This is pure fantasy, of course, based on current designs of the late Middle Ages in Europe. We have absolutely no idea of exactly what the Ark looked like. There are only two descriptions of the ship in ancient literature, neither of which is very satisfactory from naval engineering standards, since they are completely unseaworthy designs.
The Old Testament describes it as a rectangular box with straight sides, no bow, no keel or hull. In fact the Hebrew word used for the ship is that of a box or container. However, the Hebrews can be excused for their preposterous interpretation since they were a land-locked people and had little, if any, experience with ships.
But that is no excuse for the description of the Ark in the Sumerian account of the Deluge. There is depicted as a cube, if the translators are to be believed. This is not very convincing in view of the fact that the Mesopotamians were a sea-going nation. Sumerians and later peoples were well acquainted with the principles of ship building and seaworthiness. All Sumerian cities had access to the sea and sea-going ships are often described at anchor at these Sumerian ports.
Obviously, there is something amiss in the Sumerian accounts or in the translation and interpretation of the text that is provided. For a sea-going people to describe the Ark as a cube is completely nonsensical.
THE ARK IN GENESIS
The information in the Old Testament that is available concerning the configuration of Noah's Ark is derived from Genesis 6. There are scraps of information from other religious sources. The complete text of Genesis which provides the description of the Ark is as follows:
"Make yourself an ark (box) of gopher wood; make it an ark with compartments, and cover it inside and out with pitch. This is how you shall build it: the length of the ark shall be three hundred cubits, its width fifty cubits, and its height thirty cubits. Make a sky light for the ark, terminating it within a cubit of the top. Put the entrance in the side of the ark, which is to be made with lower, second, and third decks."
The ark is called "teba" which means a box, chest, or compartment in Hebrew. It is described as a rectangular box with a flat bottom and straight sides, 300 cubits long, 50 wide, and 30 high. Since a Hebrew cubit was 18 inches [45 centimeters], its dimensions were 450 feet long [162 meters], 75 feet wide [27 meters], and 45 feet high [16.2 meters], and as such was said to displace 43,300 tons.
While the Hebrews had a perfectly good word for ship, for some reason they chose to call it a box or chest. This box of Noah was not a seaworthy craft and as described was merely a rectangular box without keel, bow and aft braces, and other essentials required of sea-going ships.
This rectangular box of Noah would have tossed and pitched uncontrollably in stormy seas, and surely would have turned turtle time and time again, making a complete jumble of the occupants. Perhaps the Hebrews called it a box or chest rather than a ship because they were a land-locked people and knew nothing of sea or river navigation, much less ship design and construction.
The Hebrew chroniclers may have felt that the word for container would be more understandable to their pastoral people. It indicates that the flood legend was undoubtedly manipulated and modified by the early Hebrew priests to suit their purposes.
The story of the great flood was known world-wide and in the Middle East can be found in the Gilgamesh Epic which is believed to have been written down about 2000 BC, from Sumerian accounts which go back to the days of a king called Gilgamesh who ruled in the 28th or 29th Century BC.
The earliest part of Genesis was not written down much earlier than 1000 BC, and apparently is a version of the Sumerian account which circulated in Mesopotamia and the Levant in Akkadian or Semitic form. It indicates that the Old Testament story went through a number of changes and emendations until it became part of the Book of Genesis.
This "box" of Noah had three decks and numerous unspecified cells or compartments. It had a door on its side and an opening below the roof line to let in light. The phrase "make a sky light for the ark, terminating it within a cubit of the top" has been interpreted by many Biblical scholars to mean that Noah was to construct an opening for light completely around the ark.
The craft was built of gopher wood, an expression that is completely unidentified. The word has no Sumerian or Akkadian origins and is a complete mystery since it appears nowhere else in the Scriptures. In view of the following evidence, we suggest that it does not refer to a natural wood but that it may be a treated wood, made waterproof by an impregnation process much like today's pressure-treated lumber.
Human consciousness is an evolutionary process that emerges from the deus ex machina, an apparently emergent god(s) incarnated in symbolic form in the monolith itself, the black, angular cube that appears to descend from the gods to initiate the new stage.
While the monolith is extraterrestrial, it does not appear to be other than the universe, but an aspect of it.
In fact, as a form of a cube, the monolith seems to embody space itself. This is partly my unique thesis - that the point, line, extension, terminus of geometrical space, which then combines again to create another point, line, plane and terminus, is the basic geometric form that represents spatial relations.
In our level of reality, you note that there are only 6 possible directions one can take at any point:
up, down, left, right, backward and forward.
These six directions are thus a geometrical box or cube, as explained by the Pythagoreans (and Platonic solids) long ago. So the cube, and in particular the black cube from outer space, is space.
2001 is therefore about this dimension, in totality, that expresses itself primarily in two fundamental ontological realities - time and space.
“When you graduate from high school you come out processionally with a black robe, which is black for Saffron, the God of the Hebrews, requiring that you wear the square mortarboard on top of your head.
The square mortarboards are, of course, used by the Freemasons for their plaster, so that is why you wear a square mortarboard when you graduate, ultimately becoming an Alumni. It all has to do with Freemasonry; it all has to do with the control of education in this country.”
Jordan Maxwell, “Matrix of Power”
First you pay out your “tuition” to get into “universe”ity where they strip you of your Intuition and give you an Indoctrination.
Then you receive a “MaStars” Masonic “degree,” while wearing a Masonic mortar board cap and Cult of Saturn black robes to become an Alumni/Illumini. Graduation means to increment or retard progress.
As Jordan Maxwell says, “the true meaning of Graduation is gradual indoctrination.”
Indeed.
Jews and Muslims alike worship a huge black cube/box called Kabba at Mecca. Their god YHWH is known as the “Tetragramaton” meaning their 4 letter (4 sided?) God. The “Kabballah” of Jewish mysticism/Masonry comes from KabbaAllah or “CubeGod” around which people gather and ceremonially walk in circles.
Thus it can be said they are “circling the square.” Masons are also constantly referring to “circling the square” and “squaring the circle.”
For instance, this is why a “boxing” match is fought for “rounds” in the “ring” but it is actually a 4 sided square arena with corners.
The Freemasonic G (Geometry/God) symbol within a compass and T-square symbolizes this as well. Just as people circle around their Cube-God Kabba, so the Masons use a compass/square around their “G” God/Geometry.
A square, a square box. And, it was black, and that is why Mecca is a great square black box. The home of Mecca is a square, black box. Because it has to do with the symbol of Saturn, which is square. It has nothing to do with black, because of Negro, it has to do simply with assigned color to that particular planet.
Metatron’s Cube is the incubator of 3D. It represents a box within a box or a cube nested within a cube.
The Tesseract represents a process in which one might peer into the fourth dimension. The drawings of the Dodecahedron - Eve’s Grid and the Tesseract are basically the same geometry except that the Tesseract is tilted so you might better define the six sections.
Outlined in red is one of the six sections. The idea is to go into the outlined area and see it as a cube. Once you have visualized being inside the cube, it represents the cube of 4D.
Seeing the cube within a cube dimensionally leads one to consider the nature of the Holographic model. It has the nature of being exactly the same structure if you were to tear off a piece from the edge. The integrity of the geometry would be maintained infinitely. The image below could be that of the corner you just ripped off the edge.
When considering the Flower of life Geometries, keep in mind that curved lines represent female characteristics and straight lines represent male characteristics. The drawing depicts the holographic nature of the male and female character of the grid work and a deeper, more "within" nature, of Metatron’s Cube.
Analysis of The Occult Symbolis
Found on The Bank of America Murals
Woman in Cube and Pyramid [pic in link below]
Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube) and manipulated by unseen the forces from above?
Islam - Kaaba (Black Cube Saturn Worship)
Speaking of Icke, in his latest book The Perception Deception, he reveals the Saturnian (Satanic) influence behind many of today's institutions and religions.
In one chapter on the organized religion satanic connection, he reveals how the black cube is another symbol of Saturn. How interesting and uncoincidental, then, that it is a central part of Islam for Muslims to make a pilgrimage to Mecca to worship an enormous black cube known as the Kaaba.
This is blatant Saturn worship, but it is disguised as something else, so the overwhelming majority or Muslims and non-Muslims would have no idea what is actually going on - which is exactly how the elite operate the New World Order worldwide conspiracy, by subterfuge and deception.
THE CAABA, THE HOLY PLACE OF ISLAM
The Caaba, or cube-shaped building in the midst of the great court of the mosque at Mecca, is the most holy spot in the Islamic world. Toward it the followers of the Prophet must face five times a day at the appointed hours of prayer. Like the devotees of nearly all other faiths, the Mussulman originally faced the East while in prayer, but by a later decree he was ordered to turn his face toward Mecca.
Little is known of the history of the Caaba prior to its rededication as a Mohammedan mosque, other than that the building was a pagan temple. At the time the Prophet captured Mecca, the Caaba and surrounding court contained 360 idols, which were destroyed by Mohammed before he actually gained access to the shrine itself. The "Ancient House," as the Caaba is called, is an irregular cube measuring about 38 feet in length, 35 feet in height, and 30 feet in width. The length of each side wall varies slightly and that of the end walls over a foot. In the southeast corner of the wall at a convenient distance above the ground (about five feet) is embedded the sacred and mysterious black stone or aerolite of Abraham. When first given to that patriarch by the Angel Gabriel this stone was of such strong whiteness as to be visible from every part of the earth, but late, it became black because of the sins of man. This black stone, oval in shape and about seven inches in diameter, was broken in the seventh century and is now held together by a silver mounting.
According to tradition, 2,000 years before the creation of the world the Caaba was first constructed in heaven, where a model of it still remains. Adam erected the Caaba on earth exactly below the spot in heaven occupied by the original, and selected the stones from the five sacred mountains Sinai, al-Judī, Hirā, Olivet, and Lebanon. Ten thousand angels were appointed to guard the structure. At the time of the Deluge the sacred house was destroyed, but afterward was rebuilt by Abraham and his son Ishmael. (For details see A Dictionary of Islam). It is probable that the site of the Caaba was originally occupied by a prehistoric stone altar or ring of uncut monoliths similar to those of Stonehenge. Like the temple at Jerusalem, the Caaba has undergone many vicissitudes, and the present structure does not antedate the seventeenth century of the Christian Era. When Mecca was sacked in A.D. 930, the famous black stone was captured by the Carmathians, in whose possession it remained over twenty years and it is a moot question whether the stone finally returned by them in exchange far a princely ransom was actually the original block or a substitute.
The side of the Caaba are the supposed graves of Hagar and Ishmael, and near the door (which is about seven feet above the ground) is the stone upon which Abraham stood while rebuilding the Caaba. Various coverings have always been thrown over the cube-shaped structure; the present drape, which is replaced annually, is a black brocade embroidered in a gold. Small pieces a the old drape are cherished by pilgrims as holy relics.
Entrance to the Caaba is effected by a movable flight of steps. The interior is lined with varicolored marble, silver, and gilt. Although the building is generally conceived to be windowless, this point is disputed. Access to the roof is had through a silver-plated door. In addition to the sacred books the Caaba contains thirteen lamps. The great courtyard around the building contains a number of holy objects, and is bounded by a colonnade which originally consisted of 360 pillars. Opening into the courtyard are nineteen gates, the sacred and significant number of the Metonic Cycle and also the number of stones in the inner ring of Stonehenge. Seven great minarets tower above the Caaba, and one of the sacred ceremonials in connection with the building includes seven circumambulations about the central Caaba in an apparent effort to portray the motion of the celestial bodies.
If David and the Assyrian king dug down to subsoil water, so did the builders of the Ka'aba in Mecca. In the interior of that most holy of all shrines there is a well, across the opening of which had been placed, in pre-Islamic times, the statue of the god Hubal. Al-Biruni says that in the early Islamic period this was a real well, where pilgrims could quench their thirst at least at the time of the Arab pilgrimage. The statue of Hubal had been meant to stop the waters from rising. According to the legends, the same belief had once been current in Jerusalem. Hence the holy shard. But Mecca tells more. Hildegard Lewy points out that, in pre-Islamic days, the god Hubal was Saturn, and that the Holy Stone of the Ka'aba had the same role, for it was a cube, and hence originally Saturn.
Kepler's polyhedron inscribed in the sphere of Saturn is only the last witness of an age-old tradition.
The humble little shard was brought in by pious legend to try to say that what counted was the power of the Holy Name. But the real thing was the cube: either as Utnapishtim's ark or, in other versions, as a stone upon which rests a pillar which reaches from earth to heaven. Even Christ is compared to "a cube-shaped mountain, upon which a tower is erected." [n20 In the ninth simile of the "Pastor of Hermas," according to F. Kampers (Vom Werdegange der abendlandischen Kaisermystik [1924], p. 53).]. Hocart writes that "the Sinhalese frequently placed inside their topes a square stone representing Meru. If they placed in the center of a tope a stone representing the center of the world it must have been that they took the tope to represent the world" [n21 Kingship, p. 179 (quoted by P. Mus, Barabudur [1935], p. 108, n. 1).]—which goes without saying. But it is said otherwise that this stone, the foundation stone, lies under a great tree, and that from under the stone "a wave rose up to the sky."
This sounds like a late mixture, with no reasons given; the way to unscramble the original motifs is to take them separately.
But first, some stock-taking is in order at this point. There are a number of figures to bring together. The brown monkey, father of mischief in Sigu's idyllic creation, is familiar under many disguises. He is the Serpent of Eden, the lone dissenter. He is Loke who persuaded the mistletoe not to weep over Balder's death, thus breaking the unanimity of creatures. Sigu himself, benevolent king of the Golden Age, is an unmistakably Saturnian figure, who dwelt among his creatures, and so is lahwe, at least when he still "walked with Adam in the garden." A ruler who "means well" is a Saturnian character. No one but Saturn dwelt among men. Says an Orphic fragment: "Orpheus reminds us that Saturn dwelt openly on earth and among men." [n22 Orphicorum Fragmenta (1963), frg. 139, p. 186, from Lactantius.].
Dionysius of Halicarnassus (1.36.1) writes: "Thus before the reign of Zeus, Kronos ruled on this very earth" to which Maximilian Mayer crisply annotates: "We find no mention anywhere of such an earthly sojourn on the part of Zeus." [n23 M. Mayer, in Roscher s.v. Kronos, pp. 1458f.]. In a similar way, Sandman Holmberg states with respect to Ptah, the Egyptian Saturn: "The idea of Ptah as an earthly king returns again and again in Egyptian texts," and also points to "the remarkable fact that Ptah is the only one of the Egyptian gods who is represented with a straight royal beard, instead of with a bent beard." [n24 M. Sandman Holmberg, The God Ptah (1946), pp. 83, 85.].
The Saturnalia, from Rome to Mexico, commemorated just this aspect of Saturn's rule, with their general amnesties, masters serving slaves, etc., even if Saturn was not always directly mentioned. When this festival was due in China, so to speak "sub delta Geminorum"—more correctly, delta and the Gemini stars 61 and 56 of Flamsteed— "there was a banquet in which all hierarchic distinctions were set aside. . . The Sovereign invited his subjects through the 'Song of Stags.'" [n25 G. Schlegel, L'Uranographie Chinoise (1875), p. 424.].
The cube was Saturn's figure, as Kepler showed in his Mysterium Cosmographicum; this is the reason for the insistence on cubic stones and cubic arks. Everywhere, the power who warns "Noah"
and urges him to build his ark is Saturn, as Jehovah, as Enki, as Tane, etc. Sigu's basket stopper was obviously an inadequate version of the cube seen through the fantasy of basket-weaving natives. This leads to the conclusion that Noah's ark originally had a definite role in bringing the flood to an end. A interesting and unexpected conclusion for Bible experts.
One of the great motifs of myth is the wondrous tree so often described as reaching up to heaven. There are many of them—the Ash Yggdrasil in the Edda, the world-darkening oak of the Kalevala, Pherecydes' world-oak draped with the starry mantle, and the Tree of Life in Eden. That tree is often cut down too. The other motif is the foundation stone, which sometimes becomes a cubic ark.
The COSMIC CUBE represents the single most important event in Earth history. It is the New Earth matrix given to man by the Elohim. It results from thirty years of vigourous fission and fusion between the mathematical, geometrical and musical forces of Heaven and Earth. It was over twenty million years before that in preparation.
This fusion formula between the forces of Heaven and of Earth traces the flow of Cosmic Energy through seventy two electro-magnetic circuits, each one of which has an objective to fulfill, as it completes its path through fission to fusion...rather like the analogy of the snake biting its own tail, in a (+1)+(-1) implosion.
In its more esoteric or vibratory aspect, the COSMIC CUBE is like a web which resonates to a musical scale of notes, tones, and principles. This grid is strung out between 12 vertical pillars (or coils) which have earth-sky horizontal connections. The grid resonates with the harmony of the spheres, giving off a signal or returning echo. This is how the life energy dance of THE TRANSCENDENT UNIVERSE is gradually crystallized and made visible. While each cube position is firm, the persons occupying any given position in the Cube, may vary from time to time. Each is a window of opportunity for life in a New Earth Era.
The COSMIC CUBE provides the user with a brightly lit runway for takeoff from Earth to the Kingdom of Heaven. It allows the user to travel a path from Alpha through Omega, and out into Alpha II. We each choose our viewing position or "assemblage point of consciousness", but all points merge in the Unified Field .