ROCK-N-ROLL DEALS WITH THE DEVIL AND HUMAN BLOOD

Human Blood in Human Pop Culture; The Rock Band KISS made history in 1977 by having their biological blood ritualistically collected and mixed with the ink used to print their KISS Marvel Comics Super Special #1.

The band members:

- Gene Simmons The Fire Breathing Blood Regurgitating Demon

- Ace Frehley The Sci-Fi Space Cadet

- Paul Stanley The StarChild with a pentacle star over his eye

- and Peter Criss The Feline

.......had their biological blood drawn at a concert in Nassau Coliseum on February 21, 1977, and it was then mixed with the red ink at the Borden Ink plant in Depew, New York, on May 25, 1977, in the presence of a notary public.

This unique "Blood Sacrificed" comic book featured a 40-page story written by Steve Gerber, with artwork by John Romita Jr., Alan Weiss, and John Buscema, among others.

The comic book's cover reveals

that it's printed in real KISS "Blood" and has become a 3D human pop culture collector's item, with copies available on the secondary market for significant amounts of money.

Some interesting facts about

this "Bloodlust" comic book:

Certification:

- The blood-mixing ritual process was authenticated by a notary public to ensure its legitimacy.

Storyline:

- The comic book features KISS battling Marvel supervillains Mephisto and Doctor Doom.

Note: The Supervillain Mephisto is known as:

The Demonic Manipulator

Mephisto

Which is a powerful, extra-dimensional

"demon" who rules over a fiery realm and delights in corrupting mortals to collect their souls. Mephisto's evil is focused on subtle manipulation and tempting others with promises that come at a terrible price.

Value:

- Copies of the original comic book can be found on eBay, with prices ranging from $116 to $1,750.

Legacy:

- This stunt cemented KISS's reputation as a band willing to go to extraordinary lengths as a major player in the 3D Demonic Masonic human pop culture side show "distraction" game, thus, thrilling their sleepwalking 3D matrix fans and amplifying their money making business brand in the "process".

At The Crossroads: The Rock-n-Roll Deal with The Devil

"I Want My Mtv"

Masonic Music Television

There have indeed been many Movies in The Demonic Masonic Hollywood movie scene that showcase Making a "Deal with the Devil" in exchange for egoic fame and fortune.

The movie "Tenacious D The Pick of Destiny" starring Jack Black is a musical comedy about two aspiring rock stars, JB and KG, who make a deal with Satan to obtain a guitar pick that will make them egoic rock legends. The satanic plot revolves around the duo's journey to find the pick, and they ultimately have to play a song with Satan to get it.

The geoengineered movie glorifies rock star ambitions and the idea of making deals with dark forces for fame. Some satanic details in the movie include the depiction of Satan as a character, the concept of making a deal with the devil for fame and success, and the use of dark and hellish imagery.

The Kids in The Hall, a Canadian comedy troupe sketch show even shared their will in expressing a strong desire to construct a memorable sketch from their "Kids in the Hall" comedy show. In one of their sketches, a rock-n-roll burn-out character, played by one of the cast members, is practicing guitar in his bedroom when the devil magically appears, offering to help him become a rock-n-roll star in exchange for his soul.

The sketch features the cast member's comedic character struggling to negotiate with the devil and ultimately playing a wild guitar solo together with the devil. The sketch is, yet again, another human pop culture take on the classic Satanic "Deal with the Devil" trope.

Other movies that

feature Rock-n-Roll and Deals

with The Devil:

- Crossroads: is a movie where a young musician makes a deal with the devil to become a guitar legend.

- Phantom of the Paradise: tells the story of a musician who sells his soul to become a rock star.

- Angel Heart is a

supernatural neo-noir where a private investigator discovers he's sold his soul to the devil in exchange for musical talent.

These movies are all encoded with this strong Satanic Rock-n-Roll "Deal with the Devil" Theme.

The allure of rock 'n' roll has long been intertwined with the notion of selling one's soul to the Forces of Darkness also known as:

"The Devil"

This Faustian bargain, this Demonic Deal with The Devil, where creative artistic human endeavors in the Demonic Masonic Music Industry are traded for Subtle Satanism, Fleeting Fame, and Mountains of Money, is indeed a potent

subliminal metaphor that has captivated 3D human audiences for decades.

Top-40 Demonic Masonic Pop Culture Music Songs that Praise the art of "Making It" in the satanic music business, also known as, "A Faustian Bargain" with The Darker aspects in The Demonic Masonic Music Industry

There are many iconic Demonic Masonic Rock Artists whose Songs touch on themes of Fame, Fortune, and The Darker Side of The Demonic Masonic Music Industry.

Some notable examples include Bad Company's Superstar.

Cypress Hill's song Rock Superstar, which explores the darker side of fame and the music industry.

AC/DC's "Highway To Hell" also explores themes that the music business will indeed lead you down a Highway To Hell.

You can also count in such songs like "Barracuda" by Heart, which explores themes of fame, exploitation, and the music industry's manipulative side.

Other songs that expose similar themes include Bohemian Rhapsody by Queen, with its operatic references to selling one's soul.

Sympathy for the Devil by the Rolling Stones is another classic example, where the lyrics explore the revelation of the devil's influence in the human 3D matrix world.

More obviously, songs like David Bowie's "FAME" explores themes of illuminati celebrity culture, the commodification of the human musical arts, and the corrupting influence of illuminati power.

Bowie's song is somewhat

autobiographical, reflecting on his

own illuminati experiences with fame and the pressures that come with it.

These demonic masonic music artists often use metaphorical "message" songs and "allegory" to convey the esoteric illuminati complexities and challenges of achieving success in the demonic masonic music business.

There are several other famous top-40 songs that also touch on rags to riches "Cinderella" themes of rising to Rock-n-Roll Hall of fame and success.

One classic example is "Notorious" by Duran Duran, which explores the darker side of masonic top-40 fame.

Another example is Livin' on a Prayer by Bon Jovi, which talks about matrix struggling and making it big in the demonic masonic music industry one day.

Other songs to consider are:

Rockstar by Nickelback:

"Rockstar" by Nickelback is interpreted as the excesses and temptations of the demonic masonic rockstar lifestyle. In the context of a "deal with the devil," the lyrics are seen as a reflection on the moral compromises and sacrifices one makes for a faustian bargain for fame, wealth, and power.

The song embraces the sudo wannabe rockstar persona thats so egoically present in the rock-n-roll world, with all its illuminati side show “trappings” of success and adoration. The lyrics touch on the darker side of this Meretricious and superficial lifestyle, including substance abuse, promiscuity, and the corrupting influence of satanic illuminati power.

In the Faustian sense, the song's protagonist is seen as having made a deal with the devil, trading their soul for fame and fortune. The song's catchy, anthemic chorus and guitar riffs belie the darker themes, creating a sense of tension between the allure of the rockstar lifestyle and the costs of selling one's soul to The Devil.

Celebrity Skin by Hole:

"Celebrity Skin" by Hole is also seen as a scathing critique of the superficiality and corruption of illuminati celebrity culture. In the context of a "deal with the devil," the song's lyrics reveal that the price of fame is indeed one's very identity, autonomy, and soul.

The song's protagonist seems to be both fascinated and repelled by the satanic celebrity lifestyle, describing it as "nice skin" but also acknowledging the emptiness and desperation that lie beneath the surface. The lyrics imply that the pursuit of fame and celebrity status is a Faustian bargain, where one trades their integrity, authenticity, and even their humanity for a fleeting moment of egoic glory.

"Celebrity Skin" is seen as a warning about the dangers of selling out and losing oneself in the process of chasing illuminated fame and the unavoidable corruption of success.

"Have a Cigar" by Pink Floyd: A biting commentary on the demonic masonic music industry's staunch commercialism. "Have a Cigar" by Pink Floyd is a scathing critique of the demonic masonic music industry, specifically targeting the commercialization and exploitation of newbie aquired masonic music artists. The song's lyrics are a satirical take on the empty promises and platitudes offered by illuminati industry’s executives to starving artists.

In the context of a "deal with the devil," the song is seen as a commentary on the Faustian bargain that artists feel pressured to make in order to achieve 3D matrix success. The lyrics reveal that the corroupt music industry is more interested in profiting from the artists' work other than nurturing their creative evolutionary vision.

The song is also seen as a symbol of the empty, self-congratulatory gestures of demonic masonic industry executives, who are more concerned with their own egoic power and parasitic profits than with the art of “making music” itself. The song is a powerful commentary on the corrupting influence of commercialism and the tensions between artistic integrity and human pop culture success.

"Money Changes Everything" by Cyndi Lauper: A song about how illuminati success alters human relationships and life priorities. The song is interpreted as a commentary on the high cost of making a rock-n-roll deal with the devil for egoic fame and fortune.

The song's lyrics reveal that

the pursuit of wealth and

3D matrix success leads to

the erosion of genuine human

connections and personal values.

The song reveals that making a Deal with the Devil, and sacrificing one's integrity and relationships for

illuminati geoengineered fame and fortune, does indeed have devastating consequences.

The lyrics "They shake your

hand and they smile / And they

buy you a drink / They say

we'll be your friends / We'll

stick with you till the end / Ah

but everybody's only looking

out for themselves" highlight

the superficiality of relationships built on wealth and power.

The song's message is decoded as a warning, about the corroupt demonic masonic music industry’s dark force influences that prioritize Blood, Sweat and Tear Sacrifices over Genuine Human connections.

This theme is again, reminiscent of the classic tale of Faust, who sells his soul to the devil for earthly gain, only to realize too late that some

things are more valuable than wealth and power.

In essence, "Money Changes

Everything" is a powerful

commentary on the consequences of prioritizing illusionary wealth and egoic fame above all else, and the devastating costs of making a Rock-n-Roll Deal with the Devil.

Other Notable Mentions:

- "So You Want to Be a Rock 'n' Roll Star" by The Byrds: A sarcastic quide to fame and the music industry.

And last but not least, we have the classic top-40 music song by Charlie Daniels entitled:

"The Devil Went Down to Georgia"

The Charlie Daniels Band's song "The Devil Went Down to Georgia" tells the story of a fiddler named Johnny who makes a Deal with the Devil to play a fiddle solo. If Johnny wins, The Devil gives him a golden fiddle, but if he loses, The Devil takes his soul.

The song fits into the concept of making a Deal with The Devil for fame and success, similar to the theme in Tenacious D in The Pick of Destiny, just with good ol’ country music flair instead of heavy metal music. In this song, Johnny outplays The Devil, outsmarting him and winning the challenge. The song is seen as the classic tale of The Forces of Light vs. The Forces of Darkness, with the underdog Johnny emerging victorious.

Again, all these demonic masonic music industry songs capture the highs and lows of achieving 3D matrix stardom in the Demonic Masonic music industry.

Like the mythical sirens of Greek

lore, the illuminati entertainment

industry lures aspiring Human Music Artists and illuminati Dragon Bloodline Family Members alike to the corrupt arm of the demonic masonic music industry, with paper promises of stardom, fame and fortune, only to maroon them upon the rocks of despair.

The "Americas Got Talent" and "American Idol" "Theater of Pain" Puppet Shows

Talent shows such as “Americas Got Talent” and “American Idol” are Illuminati ordained Demonic Masonic Front Organizations used to perpetuate the indoctrinated illusion of:

The “Cinderella” Rags to Riches Story.

Similar to The other "American Dream" facade of:

“In america anyone can be president of the united states one day”

....... which is indeed an “indoctrinated” Falsity.

What a candy coated load of school taught “Bunk” as most all those in the illuminati Political “Theater of Pain” Game and demonic masonic music industries are indeed the “Preselected” Few, whose bloodline can indeed be cohesive to illuminati protocols and global agendas;

....... in other words, these demonic masonic “Theater of Pain” matrix players are indeed human pop culture "pawns" on the 3D earth matrix chessboard of life, used to manipulate the human collective into the non-evolving gutter.

The Manufactured Myth of Meritocracy: Unveiling the Veiled Puppeteers of Talent Shows

The glittering facade of talent shows like "America's Got Talent" and "American Idol" beckons audiences with promises of rags-to-riches narratives, echoing the American Dream's aspirational whisper:

"Anyone can make it."

This potent myth, akin to the "Horatio Alger" tales of yesteryear, captivates millions, obscuring the dark underbelly of an industry orchestrated by unseen illuminated hands. Behind the dazzling lights and tear-jerking performances lies a labyrinthine network of powerful network elites like Simon Cowell, carefully manipulating the contrived strings of fate.

These shadowy network executive figures, often shrouded in secrecy, wield significant influence over the entertainment industry, dictating who rises to stardom and who falls into obscurity. The Illuminati, a term synonymous with clandestine murderous power structures, becomes a potent metaphor for the unseen forces shaping the demonic masonic entertainment industry.

Like puppeteers controlling marionettes, these elite network executives and their groups select and groom individuals with specific bloodline traits, covert backgrounds, and illuminati connections, catapulting them to fame while relegating the non-illuminated other contestants to the shadows of the VH1 "Has-Beens".

This critique echoes the sentiments of philosopher Jean Baudrillard, who argued that modern society has become a simulation, where appearances and illusions supplant reality. The talent show format, with its manufactured narratives and carefully curated contestants, exemplifies this matrix concept, blurring the lines between authenticity and spectacle.

The notion that anyone can achieve success solely through talent and hard work is a comforting illusion, one that obscures the role of bloodline privilege, illuminati networking, and strategic entertainment manipulation. By perpetuating this myth, the entertainment industry creates a cleverly designed distraction, diverting attention from the systemic inequalities and power structures that govern our 3D matrix world.

As we gaze upon the mesmerizing spectacle of these charismatic talent shows, it's essential to recognize the invisible hands of the illuminati, guiding the narrative. By doing so, we uncover a more multifaceted understanding of the complex interplay between illuminati power, bloodline privilege, and the manufactured illusions that shape our perceptions of are individual realities.

"The Veiled Puppetry of Talent Shows: Unmasking the Nepotism of the Elite"

Nepotism is the practice of giving favor or preference to family members, friends and constituents, in entertainment, business, politics, and other creative human artistic endeavors, often regardless of their actual qualifications or merit. This involves hiring, promoting and providing opportunities to those with personal connections, rather than based on objective criteria and the true are of "fair competition".

Nepotism leads to unfair advantages, unequal treatment, and decreased opportunities for others. In the grand spectacle of talent shows like "America's Got Talent" and "American Idol," the curtains of meritocracy are drawn, revealing a shadowy world of nepotism and manipulation.

Just as a spider carefully crafts its web to ensnare unsuspecting prey, the illuminated talent show network elites master manipulate and carefully craft these talent shows to positively influence the "pre-selected" winner and achieve their desired social geoengineered outcome.

This talent show "exploitation" reveals an immense operation of intricate planning, subtle viewer manipulation, and the brutal reality that the average tv viewer watching and partaking in these 3D matrix TV Talent Shows has no idea that they are being socially "geoengineered" and caught in the network executive's manipulative Web of illuminati Influence.

Just look at Demonic Masonic entertainment icon Heidi Klum, when she “judges” on America’s Got Talent, she often, during almost every single taped episode of AGT, is indeed constantly throwing out the illuminati hand signal for 666 over her eyes as executive director Simon Cowell watches on proudly.

Just as a grand chess master strategically controls pawns on the chessboard to achieve "Checkmate", elite illuminati network executives carefully maneuver certain Talent Show Contestants to Stardom to achieve their desired illuminated outcome, dictating who rises to stardom and who falls into obscurity. The winners, handpicked and groomed, are the favored children of the Illuminati's "Theater of Pain," where talent is merely a secondary consideration to pedigree, loyalty and sacrifice.

Like pawns on a chessboard, they're moved strategically, their narratives crafted to captivate and control the emotional state of the masses. This system of nepotism, veiled beneath the guise of meritocracy, perpetuates a false narrative:

That success is solely the result of talent and hard work.

Yet, the invisible Iron Hand of The illuminati guiding the outcome reveal a more sinister truth, that the game is indeed rigged, and the winners are predetermined.

The Illuminati's grip on the entertainment industry is akin to a velvet-coated boxing glove, shaping the narrative to serve their interests.

By controlling the means of entertainment production and distribution, they dictate who becomes an "American Idol" or who has "American Talent" as opposed to who remains silent and eventually;

....... completely anonymous.

As humanity watches these globally proliferated illuminati "front" side show distractions, mesmerized by the whole illuminati "Ritualistic Spectacle" of it all, it's essential to recognize the undercurrents of satanic puppetry at play here. By seeing through the veil of "Nepotism", humanity uncovers a more covert understanding of the illuminati power play dynamics at work within the demonic masonic music industry, and the true cost of humanity's strange obsession with the manufactured entertainment industry "illusions" that currently shape our 3D matrix reality.

The Demonic Masonic

influences that permeate this satanic music industry are well-documented.

From the use of esoteric occult symbolism in album artwork and music videos to the direct involvement with powerful satanic illuminati players in the world such as:

- Aristocracies

- Oligarchs

- Religious Hierarchies

- Technocrats

- Bureaucrats

- Hollywood Personas

- etc etc etc

It's very clear that the pursuit of fame is often a Faustian endeavor.

Consider all these iconic demonic masonic rock stars who have already made explicit references to Satanism and esoteric occult practices in their music, music videos and live concert performances. They're like modern-day troubadours, singing about the illuminati darkness that lies at the heart of the demonic masonic music industry. It's essential to acknowledge that the whole corrupt satanic entertainment industry is indeed a complex demonic beast, driven by a multitude of lower vibratory factors and lower demonic myriad realms.

While most demonic masonic music artists are indeed making a conscious choice to engage in a rock-n-roll Deal with The Devil, other non illuminated and non illuminati complying artists chose not to make a conscious rock-n-roll deal with the devil, which ultimately renders them to a Top-40 "One-Hit" wonder, never to be heard from or seen again in the illuminati created 3D demonic masonic matrix industry, and were simply deemed, a "noncompliant" music product in a corrupt illuminati system that prioritizes loyalty, secrecy and blood oaths above all else, and rewards those demonic masonic music artists who do "Comply" and "conform" to the illuminati music industry’s protocols and agendas.

The fine line between artistic human musical expression and demonic human artist "exploitation" is always purposefully blurred; ....... robbing the music industry's demon worshipping fans of their ability to truly understand and truly comprehend the full magnitude of demonism thats inherent in Top-40 music that most definitely “manifests” right into the personal life of the 3D matrix Top-40 music fan, just by fanatically worshipping their favorite demonic masonic top-40 music artists and listening to their satanically laced musical incantation songs being played, over and over again, like a satanic spell being played back on a scratched LP record, with “the needle on the record” skipping and repeating the same thing over and over again.

In the end, the question remains:

Is selling one's Soul to the Demonic Masonic illuminati Music industry a

necessary "prerequisite" for true Rock-n-Roll to thrive?

Can artistic human musical genius

only be unleashed through a Satanic Pact with The Devil?

As these clever marketing

ploys, are also designed to create a sense of esoteric mystique and occult around the illuminati signed music artists .

Whatever the "compromised" case may be, one thing is certain, the human pop culture allure of “Rock-n-Roll” will continue to Mind Control 3D Matrix audiences, and the myth of Selling one's Soul to the Devil will remain a potent and enduring "Modus Operandi", in the illuminated realms of musical mind control, crossed with the alluring appeal of Human Pop Culture.

Enter: The Aquarian Conspiracy; The Aquarian Conspiracy is a Fantastic Example of the Contrived Demonic Masonic Music Industry.

The "Aquarian Conspiracy" and its proven connections to secret societies, British intelligence, and the geoengineered hippy "counterculture" movement of the 1960s reveals a treasure trove of disclosures that “Connect The Dots” of illuminati subterfuge that drove a nation into geoengineered social chaos involving a host of extremely famous masonic pop culture matrix players of the game that happily ushered in this scripted era right on cue, with a little help from Hollywood, all whilst the nation sat back with popcorn in hand, watching it unfold right before they're very eyes, as if, it were indeed, a “scripted” tv sitcom show.

This revelation reveals that the "Hippy" counterculture was indeed a deliberate creation of powerful illuminati elites seeking to negatively shape human society and undermine traditional family values.

Key Aquarian Conspiracy Points:

- The role of Aldous Huxley, a prominent author and thinker, in promoting contrived countercultural ideals aka Fake News Psy-Ops.

- The proven Aquarian Conspiracy agenda connections between Huxley and other influential illuminati compromised figures, such as Arnold Toynbee and H.G. Wells.

- The revelation that the 1960's turbulent "counterculture" was a form of social geoengineering mind control, designed to drain the United States of its commitment to scientific and technological progress through human pop culture, drugs, alcohol and sexual acts of "Hippy" debauchery.

The Aquarian Conspiracy describes the documented connections between:

- Aldous Huxley

- The CIA's MK-Ultra program

- and the emergence of the 1960s counterculture drug movement.

Key points:

- Illuminati compromised Huxley's involvement with the 60s psychedelic drug movement and his "agent" role in popularizing the 60s psychedelic drug movement.

- The CIA's MK-Ultra program, which experimented with sexuality, child molestation and satanic rituals, amongst other demonic abominations, which also incorporated the use of LSD and other hallucinogenic drugs into the MK-Ultra "Standard Operating Procedures".

- The proven links between Huxley, the CIA, and the geoengineered development of the psychedelic rock music scene to help kickstart the drug counterculture.

The Aquarian Conspiracy also reveals the revelation that the 60s counterculture movement was not a "spontaneous" phenomenon but rather a "manufactured" one, shaped by various forces, including intelligence agencies and illuminati think-tank agencies.

Notable figures include:

1. Aldous Huxley

2. Timothy Leary

3. Allen Dulles

4. Gregory Bateson

5. Ken Kesey

6. The Beatles

7. Theo Adorno

A Great example of the Aquarian Conspiracy's vile depth of influence can be seen through the eyes of:

"Theo Adorno"

Adorno was kicked out of Germany by of all people, Adolf Hitler, because of his unorthodox "Cult of Dionysus" Musical Mind Control Experiments. He was eventually moved to England by the "Oppenheimers" where the British Royal Family gave him facilities at Gordonstoun School as well as their full undying support.

It was here that Theo Adorno perfected "Beatle-music Rock", Beatniks, "Punk Rock" Social Defiance, "Heavy Metal Rock" Perversions, and all of the other decadent clamor that passes for Top-40 music today.

It is worthy to note that the name "The Beatles" was chosen to show a connection between the then modern rock movement, The satanic Isis Cult and The Scarab Beatle, a religious symbol of ancient Egypt.

John Lennons Pact with The Devil

A book by Joseph Niezgoda - The Lennon Prophecy, A New Examination of the Death Clues of the Beatles ....... makes a fantastic case for John Lennon making a pact with Satan in exchange for fame and fortune. Niezgoda starts his book with the well-known remark Lennon made to his friend Tony Sheridan in the mid-1960s:

"I've sold my soul to the Devil."

In the next chapters he goes on

to show how this nobody group of British miscreants all of a sudden, rose to fame:

As explained by a Pact John Lennon made with The Devil for Fame and Fortune.

The pact

When was the pact made?

Niezgoda pinpoints the date to:

December 27, 1960

....... the night the Beatles played at the Town Hall Ball Room in Litherland, England. Lennon was a 20-year old wanna-be rock star in a mediocre band not so different from so many others at that point in time. He was desperate to "be more famous than Elvis." Desperate enough to Sell his Soul to The Devil, Niezgoda contends.

Ironically, during that performance, Niezgoda reports, "The Beatles evoked a response noticeably

different from anything in their past." As they played, the geoengineered crowd unexpectedly surged onto

the stage and the girls started to scream profusely. It had never ever happened before, but it would indeed now always happen, after this "Deal with the Devil".

It was the geoengineered birth of Beatlemania. All four have noted this night as a pinnacle turning point in their music careers at that point back then. It is believe that it is more likely that the Pact, this Deal with The Devil, was made some days directly before that life changing date. This would give the Demonic forces working through the Satanic Music Industry time to prepare the fans for that exaggerated geoengineered reaction on December 27.

Niezgoda also says that this gig marks the beginning of Lennon's avowedly anti-Christian behavior. From biographies of Lennon, he presents many profane acts Lennon carried out publicly with no apparent purpose but to blaspheme Christ as satanists often do when in the music business.

Like incantation clockwork, exactly twenty years later on the night of December 8, 1980, sleeper agent Mark David Chapman took the blame for firing five shots from a revolver at John Lennon in front of the Dakota building in New York, where John Lennon’s mind handler “Yoko” and John had an apartment, on the exact same floor, by the way, where Rosemary's Baby was filmed. Lennon was also tied to the Tate Labianca murders through the house where the gruesome occult murders took place.

Lennon died shortly afterward.

If John had entered into a 20-year pact with the Devil for wealth and world fame, that contract would have indeed “expired” that day with his violent death.

Mark Chapman would later claim he was instructed to kill Lennon by a strange [MK-Ultra] voice in his head

that kept insisting "Do it, do it, do it."

Five years later at Attica State Prison, Chapman asked for a demonic exorcism to be made upon him by a priest.

He said he was delivered from five

or six different Demonic Entities.

John Lennons Fate Revealed Through Divine Synchronicity

John Lennon first met Yoko Ono’s Japanese parents in January 1971 at their home in Fujisawa after first visiting the temples of Kyoto.

It was just a year after the Beatles had split. Despite his worldwide fame Yoko’s parents were not impressed by John, who had no idea about the family’s nobility and prestige.

Yoko’s father Eisuke was a highly successful banker.

Her elegant, beautiful and refined mother Isoko (a feminist and socialite, talented in music and art) came from the wealthy, privileged Yasuda family with an imperial and political background.

The family fortune, on her mother’s side, was made by Yoko’s great grandfather Yasuda Zenjiro (Zenjiro Yasuda) born November 25, 1838.

John was very interested as she told him the story of her rebellious ancestor, a self-made millionaire who migrated to Tokyo to make his fortune.

Yoko compares Zenjiro’s migration to that of John; in that his trajectory, born in the mountains of Japan and migrating to Tokyo ......

......mirrors John’s Liverpool origins, and his move to London.

During the depression Zenjiro purchased insolvent banks and gave the money to poor people whose accounts had been frozen.

The son of a poor Samurai family, Zenjiro amassed a huge fortune in banking, founding the Yasuda bank in 1880.

In another parallel with John, great grandfather Zenjiro Yasuda had refused honors from the then Emperor many generations before.

Equally, John had refused his MBE Medal (Member of the British Empire) to the Queen .......

.......Yasuda wanted to remain a commoner.

John saw a portrait of Yasuda and said:

“That guy is me in my past life.”

Yoko replied: “He just said that out of the blue, and I said ....... Don’t wish for that .......

.......Because he was assassinated.’”

There are no coincidences in life just divine synchronicity.......

For the other compelling:

John Lennon Assassination Divine Synchronicities:

Please click:

“Yoko The Demon of Desire” links 1-3 below.

There are no coincidences in life just divine synchronicity.......

This revelation reveals the subterfuge involved in the role of powerful illuminati compromised organizations and the "Bought and Paid For" individuals involved in “geoengineering” sudo cultural movements and the reality of all the detrimental consequences involved in such an enormous satanic influence such as The Aquarian Conspiracy.

John Lennon and the Beatles connection to The Tate Labianca Murders

Sharon Tate's unborn baby, killed by the Manson family, was named Paul Richard Polanski. It was a male child. The Beatles often stayed at Tate’s residence. In the famous 1970 Rolling Stone interview, Lennon revealed that he, George Harrison and Ringo Starr took their second LSD trip at Doris Day’s house in California while touring with the Beatles. He was referring, unwittingly, to 10050 Cielo Drive, Bel Air, Los Angeles, California, the house where Sharon Tate and four others were satanically murdered.

Doris Day’s son, Terry Melcher, had allowed Roman Polankski and his wife, Sharon Tate, to take over his unexpired lease about six months prior to the satanic murders. Here is what Lennon said about his first and second experiences with LSD:

“A dentist in London…laid it [first LSD pills] on George, me and our wives [Cynthia Powell Lennon and Patty Boyd Harrison] without telling us at a dinner party at his house [in London]… And then, well, we just decided to take it again in California…We were on tour, in one of “those” houses, like Doris Day’s house where we used to stay. And the three of us took it. Ringo, George and I. I think maybe Neil [Aspinall, a roadie]. And a couple of the Byrds…[David] Crosby and the other guy, who used to be the leader…[Roger] McGuinn. I think they came round, I’m not sure, on a few trips”.

In Lennon’s memory of his second LSD trip he mentioned some interesting people and places: Doris Day and her “house” along with the Byrds. It was mentioned that Terry Melcher produced the Byrds’ first two albums.

As stated before, Melcher’s mother is Doris Day. Sharon Tate and her four companions were killed at a house in LA where Melcher had lived six months earlier.

It no doubt was owned by Melcher’s mom, Doris Day, and John Lennon knew Doris Day was indeed connected with the house somehow, so he referred to the manson murder scene house as “Doris Day’s” House.

Not only does Lennon unwittingly suggest that he and two other Beatles, George and Ringo, took their second acid trip in the house where Sharon Tate was satanically murdered, he further intimates that the Beatles stayed at that exact house quite often while touring California. Where theres Smoke There’s Fire.

Here is the key statement again:

"We were on tour, in one of “those” houses, like Doris Day’s house where we used to stay.” The words "Doris Day’s house" describe a place the Beatles stayed at frequently while on tour, thus connecting the illuminati ordained Beatles to the illuminati ordained Tate Labianca Manson Murder House, tie in Charlse Manson

Mk-Ultra mind control programming with the illuminati ordained Beatles “White Album” and these revelations will start to make sense and “Fall into Place” more easily as the supporting evidence is indeed compelling, See all Beatle, Manson, Yoko, McCarteny, Aquarian Conspiracy Links Below.

The Dark Side of Fame: Occult Symbolism:

- Demonic Masonic Music Artists use esoteric occult symbols to convey themes of satanism and human debuachery.

Industry Influence:

- Powerful figures in the industry wield significant control over musical artists' careers and contracted creative output.

Faustian Bargains:

- The pursuit of fame and fortune often comes at a steep price, including artistic compromise, personal and artistic sacrifice.

Ultimately, the relationship

between musical creativity and the forces of darkness are complex, and the true nature of the entertainment industry remains shrouded in satanic mystery.

As fans, humanity is left to ponder the implications of their beloved top-40 music and the satanic forces that created it.

PVS

The Kids in the Hall "Duel with The Devil" Episode: https://youtu.be/PoAGasPLh30?si=i3WcwBlFwOtm1AEf

A Very Poignant Deal With The Devil Sketch Comedy: https://youtu.be/JTmvqcRHsD8?si=rJq4vYePnrkkQk6y

Tenacious D Beelzeboss: The Final Showdown with the devil: https://youtu.be/y8-LH_VUROk?si=VGgjrTqgjBmzrhaT

#Blood #DealWithTheDevil #Satanic #RockAndRoll #Devil #Lucifer #Satan #Freemason #Hollywood #HumanPopCulture #AquarianConspiracy #MusicIndustry #DemonicMasonic