STYX CAUGHT IN THE ACT LIVE, AN AUTHORITARIAN TRANSHUMAN TIMELINE WARNING FROM 1983

Most people in the Generation X category in America remember that famous Top-40 music song that incessantly played through the radio back in 1983 called "Mr. Roboto" from the band Styx .

Like other famous songs at that time from other famous masonic music artists, like Herbie Handcock and his Transhuman MTV [Masonic TV] Video for the song "Rock it"

....... this Top-40 music song "Mr. Roboto" from the band "Styx", was used in a Hollywood Movie Style Production the singer Dennis DeYoung wrote, created and produced.

Kilroy Was Here was a futuristic rock opera that Styx performed as part of their 1983 tour and album of the same name.

The story is set in a dystopian future where rock music is banned by the Majority for Musical Morality, or MMM. Kilroy, a rocker, is framed and imprisoned but eventually escapes to reclaim his music.

The kilroy was here mini-movie was shown before the 1983 Styx Kilroy was here concert tour, featuring the story's narrative, with characters like Kilroy and Jonathan Chance, a keyboard player who becomes an unlikely hero. The story was supported by music from the album, with elaborate stage sets and videos.

NOTE: Freemason Herbie Handcocks Video for the song "Rock It" back in 1984, was actually released just 1 year after Styx's transhuman "Mr. Roboto" song and the same year as Styx's Caught in The Act LIVE 1984 Album and Video.

The video for Herbie Handcock's song "Rock it" was a precursor of sorts, a sign, hidden in plain sight, of the Transhumanistic movement soon to come that we are now starting to scratch the surface of......

Which is indeed no longer hidden as we are currently experiencing the rise of The World Economic Forums "Fourth Industrial Revolution"

....... also hidden in plain sight.

Masonic Artist Herbie Hancock's music video for his song entitled "Rock-it" features transhumanistic robots and futuristic elements, which are seen as a visual representation of themes similar to those found in transhumanism.

The video explores the relationship between humans and technology, highlighting our "now reality" with technological advancements that are currently shaping and transforming the human experience.

This aligns with transhumanist ideas about our current biometric internal surveillance technologies that enhance and redefine human capabilities.

Its all about the subliminal messages contained within the music artists art, sights and sounds.

The Song Mr. Roboto

came from the Styx album "Killroy was Here"

The album Kilroy Was Here by Styx, released in 1983, is a rock opera concept album that warns of a dystopian story about a future timeline similar to our "now" timeline, but where rock music is outlawed.

The album's warning theme explores the struggle for artistic freedom and the power of music within the Demonic Masonic Music Industry.

Kilroy Was Here was very successful commercially. It peaked at number three on the US Billboard 200 chart and was certified Platinum by the RIAA, denoting sales of well over one million copies in the United States.

The album spawned several hit singles, including the iconic Transhuman Warning Song:

"Mr. Roboto"

....... which again, reached number three on the Billboard Hot 100 chart.

Regarding Dennis DeYoung, he was indeed the primary songwriter and lead vocalist of Styx during the "Kilroy Was Here era"

....... where he did indeed create this Totalitarian Transhuman themed song as if it was a dire warning to humanity back then in 1983;

....... warning humanity through the lure of

"Top-40 Music"

....... warning of the future dangers of the then current path humanity was on back then in 1983 with the Dawn of Transhumanism being slow and arduously subliminally initiated within the minds of those top-40 music listeners in the 3D matrix who blindly absorb Aquarian Conspiracy frequencies of indoctrinated mind control through the:

- FM Radio Dial

- Internet Radio

- MTV Masonic Music TV

- I Heart Radio

- XM Radio

- etc etc etc

Styx made a Live Concert Video documenting their "Killroy was Here" Rock Opera Concert in 1983, which included a broadway style play incorporated into the live concert as if the concert goer was indeed in the Totalitarian Future where Rock-n-Roll was outlawed and Transhuman Robots Patrol the Smart-City Metropolis with an Iron Hand.

The Rock Opera Production even went as far as to create a authoritarian government attack on the live stage show as part of the "mock-rock" entertainment with authoritarian illuminati stormtroopers appearing on stage actually stopping the show and arresting the band as part of the "Future Warning" of what will perpetuate in society if humanity does not heed these very Obvious Warnings.

The band Styx's 1984 Concert DVD:

Styx "Caught in the Act LIVE 1984

The band Styx Concert DVD "Styx Caught in the Act: LIVE 1984" is based on the band's concept album "Kilroy Was Here," released in 1983.

The story revolves around a dystopian transhuman future in a Smart-City environment where rock music is outlawed by a fascist theocratic government, led by a technocrat character called Dr. Everett Righteous, who is the leader of the authoritarian Majority for Musical Morality (MMM).

This concept was heavily influenced by the band's experiences with censorship and the controversy surrounding their song "Snowblind."

Plot and Characters:

- Kilroy: The protagonist of the story, Robert Orin Charles Kilroy, is a former rock star who has been illuminati framed in the Demonic Masonic Music Business for murder and imprisoned by the MMM aka The Majority for Musical Morality . Kilroy is a symbol of resistance against the oppressive authoritarian government. He is played by Dennis DeYoung in the movie segment.

- The Transhuman Robotos: In this future society, policing and other peacekeeping duties are maintained by transhuman robots, specifically the "Roboto" humanoid models. These robots serve as a tool of oppression, enforcing the government's fascist rules and regulations. The Robotos are also a symbol of the dehumanizing effects of technology and conformity.

- Dr. Everett Righteous: The main technocrat antagonist of the story, Dr. Righteous is the leader of the MMM and a symbol of social censorship and oppression. He is a representation of the conservative values and moral majority movement of the time. Dr. Righteous is portrayed as a hypocritical 2 Face Janus tyrannical figure who uses his illuminati power to suppress creativity and freedom.

The Movie Segment:

The movie segment shown in the beginning of the video "Styx Caught in the Act Live 1984" is a 10-minute short film that sets the stage for the transhuman warning story thats about to unfold.

It features Kilroy, played by Dennis DeYoung, as a prisoner in a future where rock music is banned. The film shows Kilroy's escape from prison, where he disguises himself as a transhuman Roboto.

He then meets Jonathan Chance, a young musician and a social activist, played by Tommy Shaw, who is on a mission to bring back human freedoms through the avenue of rock-n-roll music.

The film is a mix of transhuman reality, human drama, the corroupt entertainment industry and music, featuring a blend of live-action and cinematic elements mixed within the actual concert;

....... giving off the feeling that you are actually there in the Totalitarian future watching this transhuman scenario of mind control manifest right there on stage as part of the production value.

It serves as an introduction to the story and transhuman themes of the album, setting the tone for the rest of the concert.

Themes:

The movie segment and the album "Kilroy Was Here" explore several themes, including:

- Censorship and Oppression: The dangers of government control and censorship of art and music.

- Rebellion and Resistance: The importance of standing up against oppressive regimes and fighting for freedom and creativity.

- Technology and Conformity: The dehumanizing effects of transhuman technology and the pressure to conform to authoritarian societal norms.

Overall, the movie segment entitled Kilroy Was Here The Movie, in Styx's "Caught in the Act: Live 1984” video is a thought-provoking and visually striking representation of the band's concept album "Kilroy Was Here."

The live performance featured a unique blend of live-action and cinematic elements mixed within the actual concert, giving off the feeling that you are actually there in the Totalitarian future where rock-n-roll is outlawed and the show was actually busted by the Feds and you were in violation just being there, making it a memorable and iconic part of the band's live shows.

The robots in Styx's "Kilroy Was Here" are seen as a metaphor for the transhuman dangers of unchecked technological advancement and the blurring of lines between human and machine.

In the context of transhumanism and the WEFs Fourth Industrial Revolution, the robots are interpreted as a representation of the risks and consequences of merging human and machine.

Transhumanism:

Transhumanism is a philosophical movement that aims to transform the human condition through the use of technology, particularly demon artificial intelligence, biotechnology, nanotechnology and neuroscience.

The goal is to allegedly "enhance" human capabilities, "extend" lifespan, and achieve a form of "immortality".

In the context of the robots in "Kilroy Was Here," the transhumanist theme is seen in the way the robots embody a fusion of human and machine, threatening human individuality and autonomy.

The Fourth Industrial Revolution:

The Fourth Industrial Revolution (4IR) refers to the current era of technological advancement, characterized by the convergence of demonic artificial intelligence, robotics, biotechnology, and nanotechnology.

This revolution is subliminally transforming various aspects of human society right before your very eyes, including the economy, education, and healthcare.

It also raises concerns about job displacement, inequality, and the loss of human agency.

Robotics and Transhumanism in "Kilroy Was Here":

In the context of "Kilroy Was Here," the robots are seen as a representation of the darker aspects of transhumanism and the 4IR.

The robots in the story are depicted as soulless, conformist, and obedient to the oppressive authoritarian government, highlighting the risks of creating machines that surpass human intelligence and autonomy.

The robots' role in enforcing the government's rules and regulations serves as a commentary on the dangers of unchecked technological transhuman advancement and the loss of human agency.

The robots in "Kilroy Was Here" are seen as a future premonition of our "now" times, in reference to the consequences of merging human and machine.

The story highlights the importance of considering the ethical implications of technological transhuman advancement and ensuring that human values and agency are preserved.

The themes of transhumanism and the 4IR are relevant to the story, as they are now currently manifesting in global society at an alarming rate, which is "indicative of unchecked technological progress" and the blurring of lines between human and machine.

"Indicative of unchecked technological progress" reveals that the consequences and themes being discussed are characteristic of a scenario where technology transhuman advances are present, without sufficient consideration for its impact on society, ethics, or human values.

This phrase implies that the unchecked growth and implementation of transhuman technology leads to negative outcomes, such as loss of individual freedom, increased control, or dehumanization, as depicted in the themes of Styx's album Kilroy Was Here.

In conclusion, the robots in "Kilroy Was Here" serve as a thought-provoking commentary on the risks and consequences of emerging transhuman technologies, highlighting the importance of transparent innovation and human-centered design.

In the context of Styx's "Kilroy Was Here," Doctor Righteous can be seen as a symbol of totalitarianism.

His character represents a fusion of moral absolutism, authoritarianism, and a lust for power.

Totalitarian Themes:

- Control and Oppression: Doctor Righteous's regime exercises total control over society, suppressing individual freedom and creativity. This is evident in the outlawing of rock music, which is seen as a threat to the regime's authority.

- Moral Absolutism: Doctor Righteous and the Majority for Musical Morality (MMM) claim to have a monopoly on moral truth, using this as a justification for their oppressive authoritarian policies.

- Fear and Intimidation: The regime uses fear and intimidation to maintain control, with the Robotos serving as a symbol of the regime's power and authority.

Totalitarian Parallels:

- Historical Parallels: The character of Doctor Righteous and the MMM can be seen as a commentary on the dangers of totalitarian regimes, such as Nazi Germany, and Soviet Russia, where art and dissent were suppressed.

- Censorship and Propaganda: The regime's efforts to control the narrative and suppress dissenting voices are reminiscent of today's totalitarian regimes' use of propaganda and censorship such as the Trump Administration using demonic AI Deep Fake videos to geoengineer the public in favor of "Rothchilds" Exopolitics.

Cautionary Tale:

The character of Doctor Righteous serves as a warning about the dangers of unchecked power and the erosion of individual freedoms.

The story of "Kilroy Was Here" highlights the importance of protecting creative artistic expression, individuality, and personal choice in the face of oppressive regimes.

Doctor Righteous's character is seen as a powerful symbol of totalitarianism, serving as a cautionary tale about the dangers of unchecked power and the importance of protecting individual freedoms.

The Harmonics of Control: Resonating with the Authoritarian Themes in Styx's "Caught in the Act LIVE 1984"

In the dystopian world of Styx's "Caught in the Act: Live 1984," a haunting narrative unfolds, one that echoes the darkest fears of humanity's relationship with technology and power.

This concept video, wrapped in a revelation of authoritarian mind control, presents a chilling critique of totalitarianism, transhumanism, and the erosion of human freedoms.

Through the video lens of this musical opus, we can explore the ominous harmonies of control that resonate throughout human history.

The Maestro of Control: Doctor Righteous

At the helm of this dystopian regime is Doctor Righteous, a symbol of authoritarianism's insidious allure. Like a maestro conducting a symphony of oppression, Doctor Righteous orchestrates the Majority for Musical Morality (MMM), a force that seeks to silence the discordant notes of rock music and impose a stifling uniformity. His regime's grip is tight, with the Robotos, humanoid machines, serving as the regime's enforcers, quashing dissent and creativity with an iron fist.

The Robotos: A Reflection of Transhumanism's Shadow

The Robotos, with their synthetic bodies and soulless eyes, embody the darker aspects of transhumanism. Like Frankenstein's monster, they represent the "blind-spot" consequences of playing god, where the pursuit of technological advancement eclipses human values, agency and common sense.

As they patrol the streets, enforcing the regime's edicts, they are a stark reminder of the risks of merging human and machine.

Their mechanical hearts beat in lockstep with the regime's ideology, devoid of empathy or compassion.

Kilroy: A Symbol of Resistance

Against this backdrop of oppression, Kilroy emerges as a beacon of resistance. A former rock star, Kilroy embodies the spirit of rebellion, challenging the regime's authority and seeking to restore the freedom to create and express.

His journey, fraught with danger and uncertainty, serves as a testament to the human desire for autonomy and self-expression.

Like a modern-day Prometheus, Kilroy defies the gods of conformity, igniting a fire of resistance that threatens to consume the regime.

The Harmonics of Control

In this dystopian world, music becomes a powerful metaphor for the human spirit's capacity for creativity and rebellion.

In this scenario, Rock music, with its primal energy and rebellious spirit, is ironically seen as a threat to the regime's control, a force that could disrupt the carefully constructed harmony of oppression.

The regime's efforts to suppress rock music serve as a potent symbol of the authoritarian impulse to control every aspect of human life, including the arts.

Styx's "Caught in the Act: Live 1984" is more than a concept video;

....... it's a warning.

Through its exploration of authoritarian themes, transhumanism, and the importance of individual freedom, it presents a haunting vision of a world where the harmonics of control drown out the music of humanity.

As we navigate the complexities of our current transhuman world dilemmas, where nanotechnology and illuminati power intersect in ever-more complex ways, this video serves as a timely 41 year old reminder of the importance of protecting our creative human spirit and resisting the satanic forces of oppression.

Like a clarion call, it urges us to be vigilant, to challenge the status quo, and to preserve the freedom to create and express.

Here are some examples to further illustrate the authoritarian themes and transhuman ideas in Styx's Video Production of "Caught in the Act: Live 1984":

- Doctor Righteous is to society as a thermostat is to a room, he regulates the temperature of acceptable behavior, ensuring that anyone who deviates from the norm is brought back in line.

- The Robotos are to humanity as a virus is to a computer - they infiltrate and take control, threatening to erase the very essence of what makes us human.

- Kilroy's rebellion is to the regime as a spark is to a tinderbox, it ignites a fire of resistance that consumes the entire authoritarian system.

- Rock music to humanity is like oxygen is to a fire, it's a fuel that ignites passion, creativity, and rebellion, and must be extinguished by the MMM in order to maintain authoritarian control.

- The MMM's ideology is to freedom as a prison is to liberty, it promises safety and security, but delivers only confinement and oppression.

This helps to highlight the themes of authoritarian control, human rebellion, and the importance of individual freedom that are woven throughout the narrative of Styx's Video:

"Caught in the Act: Live 1984"

PVS

The Kilroy Was Here Movie from Styx Caught In the Act Live1984 Video Warning of our Current Future Authoritarian Transhuman Timeline: https://youtu.be/-5fmy_bAZ_U?si=RFkCX0SllUyBWf-p

VIDEO LINK: Of The Authoritarian Government Attack on the Live Styx Stage Show as Part of the "Mock-Rock" Entertainment with Authoritarian Stormtroopers Actually Appearing on Stage Stopping the show and Arresting the Band as Part of the "Future Warning" at 5:55 of the Video: https://youtu.be/p2HJore6jYE?si=87MxjaOhs_AwLrIU

Styx VH1 Behind The Music Documentary: https://youtu.be/eEG5s_rwbv4?si=vnLygZTkjsWf8swl

Herbie Handcock Transhuman

"Rock-It" Video: https://youtu.be/GHhD4PD75zY?si=NvZltDGT2VHdHxVA

Herbie Handcock performing "Rock-it" live on the 1984 Grammy Awards: https://youtu.be/jWeBJsg6FHA?si=A7Yo45okRamPNIMa

#Styx #hollywood #agenda21 #Authoritarian #Totalitarian #robots #Transhuman #DemonicMasonic #WEF #WorldEconomicForum #fourthindustrialrevolution #4IR