WHY BUSH AND THE CIA HAD JOHN LENNON KILLED

Its time to take a look at what was going on "behind the scenes" of the 1960's "countercultural revolution"; to explore a bit how the world's most popular and undeniably talented rock band was without ANY doubt "used" by illuminati social manipulators (as were MANY other pop music groups) in an ongoing project designed to control the development of human society in the most fundamental ways.

There are direct links which tie these activities to certain covert scientific projects of an extremely advanced, esoteric nature which were exploring the realms of (manipulation of) consciousness, time, thought and indeed "reality" itself, which were being conducted during the same period of time on Long Island, N.Y.: activities which were part of the Phoenix/Montauk Project.

In fact we are talking about two sides of the same coin here. On one side, the covert, subtle manipulation and control of not only thought and human consciousness but of the most fundamental, subatomic, electromagnetic matrix of (perceived) reality itself, using newly-developed electromagnetic/radio frequency technologies of extraordinary, unheard-of power and potential. On the other side, directly and overtly shifting the paradigm, changing the basic concepts, widening the parameters--the envelope, changing the playing field and all the rules of play by which society defines itself within an exceptionally short period of time.

Factor in what was happening on more political levels such as the civil rights and anti-war movements, stir briskly while at full boil, and STAND BACK!

What's rather amazing in fact is that society did NOT disintegrate/implode/explode in the way the social manipulators had apparently hoped. The higher qualities of human nature seemed to consistently float to the surface--with some notable exceptions--and certainly began to acquire a significant, if not nearly irresistible momentum of it's own; pulling in larger and larger segments, of "straight"', conventional, "moral majority" type elements of society. Obviously, the big plan was backfiring severely and something "needed to be done."

The Beatles were also part of the mass experimentation that contemporary society was being subjected to by the CIA, Britain's MI6 and the Tavistock Institute utilizing extraordinarily powerful mind-altering psychedelic/psychotropic drugs.

More than most of the other boys in the band, John Lennon became increasingly aware not only of the extent of corruption, co-opting and infiltration of the counterculture -- most CERTAINLY including the rock music scene -- by these same covert government intelligence elements.

Lennon was also aware than one of the "big guns" in the CIA/Tavistock/MI6 arsenal, LSD, had been having effect upon the population groups to which it had been funneled so extensively that was most unexpected on the part of the social manipulators--and to a large extent the effect was rather positive and beneficial.

Shortly before Lennon's death at the hands of what beyond the faintest glimmer of a shadow a doubt was a mind-controlled, "Manchurian Candidate" type assassin deployed by Tavistock/CIA/MI6, Mark Chapman to terminate a "loose cannon", Lennon had the audacity to massively and blatantly "out" the aforementioned consortium in a Playboy interview -- in which he made note of LSD's completely unforeseen liberating impact upon human society and civilization--pretty much thumbing his nose at the whole bunch and their whole trip; AND indicating as well that he was aware of the extent to which he and other pop musicians had been set up--to be used as dupes in massive social manipulation schemes.

Shortly afterward, New World Order head honcho and Satanist, globalist, CIA chief and Tavistock underling vice-president George Bush had Lennon slaughtered on the streets of new York; where he died in the arms of someone that a number of sources claim was the monarch agent deployed by MI6/CIA to keep the exceptionally intelligent Lennon constantly gravitating toward the social fringe; thereby keeping his potential influence at least minimized -- Yoko Ono. That's NOT to say that even IF this last supposition is true, that genuine love and a fulfilling relationship did not exist between the two and that Yoko's "programming", just like John's, broke up and fell apart.

And what about those Beatles, anyway?

Anyone who has heard the Beatles' live tapes recorded in 1961 and 1962 on the "Reeperbahn" in Hamburg, Germany realizes that this was an incredibly talented and energetic bunch of rockers who no matter what would have undoubtedly had a significant impact upon popular music and thus upon society itself, regardless of things which occurred subsequently in their saga.

And without any doubt being given access to state-of-the art audio and recording technologies and facilities stimulated their creativity quite a bit--for the benefit of all; "MR. KITE" included.

Personally I think the Beatles were definitely "the greatest"--or damn close to it.

MIND CONTROL USING THE BEATLES

An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the BEATLES. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware.

When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of "THE AQUARIAN CONSPIRACY," a living organism which sprang From "THE CHANGING IMAGES OF MAN," URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon.

The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will. New words and new phrases - prepared by Tavistock - were introduced to America along with the Beatles.

Words such as "rock" in relation to music sounds, "teenager," "cool," "discovered" and "pop music" were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be "discovered" by "teenagers." Incidentally, the word "teenagers" was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations.

As in the case of gang wars, nothing could or would have been accomplished without the cooperation of the media, especially the electronic media and, in particular, the scurrilous Ed Sullivan who had been coached by the conspirators as to the role he was to play. Nobody would have paid much attention to the motley crew from Liverpool and the 12-atonal system of "music" that was to follow had it not been for an overabundance of press exposure.

The 12-atonal system consisted of heavy, repetitive sounds, taken from the music of the cult of Dionysus and the Baal priesthood by Adorno and given a "modern" flavor by this special friend of the Queen of England and hence the Committee of 300.

Tavistock and its Stanford Research Center created trigger words which then came into general usage around "rock music" and its fans.

Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of "rock music" were designed for mass control of the new targeted group, the youth of America.

The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles merely reacting like trained robots "with a little help from their friends" - code words for using drugs and making it "cool."

The Beatles became a highly visible "new type" - more Tavistock jargon - and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage) which upset the older generation, as was intended. This was part of the "fragmentation-maladaptation" process worked out by Willis Harmon and his team of social scientists and genetic engineering tinkerers and put into action.

The role of the print and electronic media in our society is crucial to the success of brainwashing large population groups.

Gang wars ended in Los Angeles in 1966 as the media withdrew its coverage. The same thing will happen with the current wave of gang wars in Los Angeles. Street gangs will wither on the vine once media saturation coverage is toned down and then completely withdrawn. As in 1966, the issue would become "burned out." Street gangs will have served their purpose of creating turbulence and insecurity. Exactly the same pattern will be followed in the case of "rock" music. Deprived of media attention, it will eventually take its place in history.

Following the Beatles, who incidentally were put together by the Tavistock Institute, came other "Made in England" rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the "music." I hate to use these beautiful words in the context of "Beatlemania"; it reminds me of how wrongly the word "lover" is used when referring to the filthy interaction between two homosexuals writhing in pigswill. To call "rock" music, is an insult, likewise the language used in "rock lyrics."

Tavistock and Stanford Research then embarked on the second phase of the work commissioned by the Committee of 300. This new phase turned up the heat for social change in America. As quickly as the Beatles had appeared on the American scene, so too did the "beat generation," trigger words designed to separate and fragment society.

The media now focused its attention on the "beat generation." Other Tavistock-coined words came seemingly out of nowhere: "beatniks," "hippies," "flower children" became part of the vocabulary of America. It became popular to "drop out" and wear dirty jeans, go about with long unwashed hair. The "beat generation" cut itself off from main-stream America. They became just as infamous as the cleaner Beatles before them.

The newly-created group and its "lifestyle" swept millions of young Americans into the cult. American youth underwent a radical revolution without ever being aware of it, while the older generation stood by helplessly, unable to identify the source of the crisis, and thus reacting in a maladaptive manner against its manifestation, which were drugs of all types, marijuana, and later Lysergic acid, "LSD," so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergotamine, a powerful mind-altering drug.

The Committee of 300 financed the project through one of their banks, S. C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley.

The new "wonder drug" was promptly distributed in "sample" size packages, handed out free of charge on college campuses across the United States and at "rock" concerts, which became the leading vehicle for proliferating the use of drugs. The question that cries out for an answer is, what was the Drug Enforcement Agency (DEA) doing at the time? There is compelling circumstantial evidence that would appear to indicate that the DEA knew what was going on but was ordered not to take any action.

With very substantial numbers of new British "rock" bands arriving in the U.S., rock concerts began to become a fixture on the social calendar of American youth. In tandem with these "concerts," the use of drugs among the youth rose in proportion. The devilish bedlam of discordant heavy beat sounds numbed the minds of listeners so that they were easily persuaded to try the new drug on the basis that "everybody is doing it." Peer pressure is a very strong weapon. The "new culture" received maximum coverage from the jackal media, which cost the conspirators not one single thin dime.

Great anger was felt by a number of civic leaders and churchmen over the new cult but their energies were misdirected against the RESULT of what was going on and not against the CAUSE. Critics of the rock cult made the same mistakes that had been made in the prohibition era, they criticized law enforcement agencies, teachers, parents anybody but the conspirators.

Because of the anger and resentment I feel toward the great drug plague, I make no apology for using language which is not customary for me to use. One of the worst drug slobs ever to walk the streets of America was Alan Ginsberg. This Ginsberg pushed the use of LSD through advertising which cost him nothing, although under normal circumstances it would have cost millions of dollars in TV advertising revenues.

This free advertising for drugs, and LSD in particular, reached a new high in the late 1960's, thanks to the ever-willing cooperation of the media. The effect of Ginsberg's mass advertising campaign was devastating; the American public was subjected to one cultural future shock after another in rapid succession.

We became over-exposed and over stimulated and, again, may I remind you that this is Tavistock jargon, lifted from the Tavistock training manual, overwhelmed by its new development and, when we reached that point, our minds began to lapse into apathy; it was just too much to cope with, that is to say, "long range penetration had taken hold of us.

BUSH, CIA AND JOHN LENNON ARTICLE: https://www.bibliotecapleyades.net/sociopolitica/sociopol_tavistock03.htm

ARTICLE #2 TAVISTOCK MIND CONTROL AND THE BEATLES: https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_committee300_03.htm

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