BEATLES MIND CONTROL EXPERIMENT

An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the BEATLES.

The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware.

When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake.

The Beatles were an integral part of "THE AQUARIAN CONSPIRACY," a living organism which sprang From

"THE CHANGING IMAGES OF MAN," URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon.

The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system.

Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will.

New words and new phrases - prepared by Tavistock - were introduced to America along with the Beatles.

Words such as "rock" in relation to music sounds, "teenager," "cool," "discovered" and "pop music" were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be "discovered" by "teenagers."

Incidentally, the word "teenagers" was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations.

As in the case of gang wars, nothing could or would have been accomplished without the cooperation of the media, especially the electronic media and, in particular, the scurrilous Ed Sullivan who had been coached by the conspirators as to the role he was to play.

Nobody would have paid much attention to the motley crew from Liverpool and the 12-atonal system of "music" that was to follow had it not been for an overabundance of press exposure.

The 12-atonal system consisted of heavy, repetitive sounds, taken from the music of the cult of Dionysus and the Baal priesthood by Adorno and given a "modern" flavor by this special friend of the Queen of England and hence the Committee of 300.

Tavistock and its Stanford Research Center created trigger words which then came into general usage around "rock music" and its fans.

Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group.

All trigger words devised in the context of "rock music" were designed for mass control of the new targeted group, the youth of America.

The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles merely reacting like trained robots "with a little help from their friends" - code words for using drugs and making it "cool."

The Beatles became a highly visible "new type" - more Tavistock jargon - and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage) which upset the older generation, as was intended.

This was part of the "fragmentation-maladaptation" process worked out by Willis Harmon and his team of social scientists and genetic engineering tinkerers and put into action.

The role of the print and electronic media in our society is crucial to the success of brainwashing large population groups.

Gang wars ended in Los Angeles in 1966 as the media withdrew its coverage. The same thing will happen with the current wave of gang wars in Los Angeles. Street gangs will wither on the vine once media saturation coverage is toned down and then completely withdrawn.

As in 1966, the issue would become "burned out." Street gangs will have served their purpose of creating turbulence and insecurity. Exactly the same pattern will be followed in the case of "rock" music. Deprived of media attention, it will eventually take its place in history.

Following the Beatles, who incidentally were put together by the Tavistock Institute, came other "Made in England" rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the "music."

Tavistock and Stanford Research then embarked on the second phase of the work commissioned by the Committee of 300. This new phase turned up the heat for social change in America.

As quickly as the Beatles had appeared on the American scene, so too did the "beat generation," trigger words designed to separate and fragment society.

The media now focused its attention on the "beat generation." Other Tavistock-coined words came seemingly out of nowhere:

"beatniks," "hippies," "flower children" became part of the vocabulary of America. It became popular to "drop out" and wear dirty jeans, go about with long unwashed hair.

The "beat generation" cut itself off from main-stream America. They became just as infamous as the cleaner Beatles before them.

The newly-created group and its "lifestyle" swept millions of young Americans into the cult.

American youth underwent a radical revolution without ever being aware of it, while the older generation stood by helplessly, unable to identify the source of the crisis, and thus reacting in a maladaptive manner against its manifestation.......

.......which were drugs of all types, marijuana, and later Lysergic acid,

"LSD," so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergotamine, a powerful mind-altering drug.

The Committee of 300 financed the project through one of their banks, S. C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley.......

Without massive media hype, and without almost around the clock coverage, the hippy-beatnik rock, drug cult would never have gotten off the ground; it would have remained a localized oddity.

The Beatles, with their twanging guitars, silly expressions, drug language and weird clothes, would not have amounted to a hill of beans. Instead, because the Beatles were given saturation coverage by the media, the United States has suffered one cultural shock after another.

This is how Drug usage was spread so rapidly through America's "beat generation." What started with the Beatles and sample packages of LSD has grown into a flood-tide of drug usage which is swamping America.

The drug trade is controlled by the Committee of 300 from the Top down. The drug trade started with the British East India Company and was closely followed by the Dutch East India Company.

Both were controlled by a "Council of 300."

The list of names of members and stockholders of the BEIC read like something out of Debretts Peerage.

BEIC established the "China Inland Mission," whose job it was to get The Chinese peasants, or coolies, as they were called, addicted to opium. This created the market for opium which the BEIC then filled.

In much the same way the Committee of 300 used "The "Beatles" to popularize "social drugs" with the youth of America and The Hollywood "in-crowd."

Ed Sullivan was sent to England To become acquainted with The first Tavistock Institute "rock group" to hit the shores of the United States.

Sullivan then returned to the United States to draft the strategy for the electronic media on how to package and sell the group.

Without the full cooperation of the electronic media and Ed Sullivan, in particular, "The Beatles" and their "music" would have died on the vine. Instead, our national life and the character of the United States was forever changed.

Now that we know, it is all too clear how successful the "Beatles" campaign to proliferate the use of drugs became. The fact that "The Beatles" had their music and lyrics written for them by Theo Adorno was concealed from public view.

The prime function to "The Beatles" was to be discovered by teen-agers, who where then subjected to a non-stop barrage of "Beatle music," until they became convinced that they liked the sound and adopted it, along with all that accompanied it.

The Liverpool group performed up to expectations, and with "a little help from their friends," i.e., illegal substances we call drugs created a whole new class to young Americans in the precise mold ordained by the Tavistock Institute.

Tavistock had created a highly visible "new type" to act as their drug-runners. The China Inland Mission "Christian missionaries" would not have fitted in with the 1960's.

"New type" is social-science scientist jargon; what it meant was that the Beatles created new social patterns, first and foremost being to normalize and popularize the use of drugs, new tastes in clothes and hair styles which really distinguished them from the older generation as was intended by Tavistock.

It is important to note the deliberate fragmentation-inducing language used by Tavistock. The "teenagers" never once dreamed that all the "different" things they aspired to were the product of older scientists working in think tanks in England and Stanford Research.

How mortified they would have been if they had discovered that most of their "cool" habits and expressions were deliberately created for their use by a group of older social science scientists!

The role of the media was, and remains, very important in promoting the use of drugs on a nation-wide scale. When coverage of the street warfare gangs was abruptly terminated by the media, they became "burned out" as a social phenomena; the "new age" of drugs followed.

The media has always served as a catalyst and has always pushed "new causes" and now media attention was focused on drug usage and its supporters, the "beat generation," yet another phrase fashioned at Tavistock, in its determined efforts to bring about social changes in The United States.

Drug usage now became an accepted part of everyday life in America.

This Tavistock-designed program took in millions of American youth, and the older generation began to believe that America was undergoing a natural social revolution, failing all the while to realize that what was happening to their children was not a spontaneous movement, but a highly artificial creation designed to force changes in America's social and political life.

The descendants of the British East India Company were delighted with the success of their drug pushing program. Their disciples became adept in the use of lysergic acid (LSD) so conveniently made available by patrons of the drug trade like Aldous Huxley, courtesy of the highly respected Sandoz company of Switzerland and financed by the great Warburg banking dynasty.

The new "wonder drug" was promptly distributed at all rock concerts and on college campuses in free sample packages.

The question that begs to be asked is,

"What was the FBI doing while all this was going on?"

The purpose of the Beatles had become abundantly clear.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_committee300_03.htm

Martin: Why were the Jesuits so upset about the Edict of Nantes, and what was it’s significance?

Phelps: Ok, the Revocation of the Edict of Nantes - it can be spelled Nantes or Nantz.

Anyway, the Edict of Nantes was put forward by King Henry IV. King Henry IV was a Roman Catholic, but he converted to Protestantism and he became a Huguenot.

But he was not allowed to take the throne of France until he renounced his Protestantism.

So, for the sake of the kingdom, he renounced his Protestantism, and in 1610, I believe, issued forth the Edict of Nantes.

The Edict of Nantes guaranteed religious freedom to all the French.

That included the Protestant, Calvinist, Huguenots, which of course included those who would have followed Admiral Coligny, who the Jesuits murdered with that she-wolf, Catherine de Medici.

With the Edict of Nantes we have religious liberty in France.

This cannot be.

France is a cornerstone of Jesuit power, so it cannot allow this to be in place.

The Council of Trent condemns it, because it’s freedom of conscience.

So, after they [jesuits] murder Henry IV with Ravaillac, when they stabbed him through his heart, according to Sully in his memoirs, they murdered Henry IV for this, and also for attempting to reinforce the Dutch.

So.......

.......when the Beatles are singing about the “Sun King” in their “white” album, they’re singing about Louis XIV.

And that’s telling you that the Beatles are Jesuit controlled.

The Sun King, Louis XIV who reigned, who rules over France for, I believe, 60 years, he, because of his Jesuit confessor, Pere La Chaise, revokes the Edict of Nantes, and with that, no more religious freedom in France.

https://www.bibliotecapleyades.net/vatican/esp_vatican02b.htm

The number 9 has a long history, so it should not come as much of a surprise that it still pops up in places where you least expect it.

It is not only an important number in religion, but also in popular culture.

John Lennon, arguably one of the most gifted songwriters of last century, incorporated the number into one of the Beatles more esoteric tracks, 'Revolution 9', on the immortal 'White' album, produced in 1968.

The primary vocals throughout the song are the repeating phrase, 'number nine'.

Given that Lennon wrote this song after spiritual activities in India, using sounds like a mashed up remix of a radio being tuned, it is more than likely that he came to understand the significance of nine as the number of completion/perfection, incorporating it not only in this song, but also a solo recording he completed named '#9 Dream'.

Numbers do have vibrational power, they are 'something' that can be relied on in this world, they spell out certain secrets of reality and existence, but we must also be careful of the meanings we thrust upon them.

https://www.bibliotecapleyades.net/sociopolitica2/esp_sociopol_council9_19.htm

Upon his death, Time magazine published this telling photo of Beatle superstar George Harrison (1943-2001) on the cover of its December 10, 2001 issue.

Harrison, wearing black, in a black and white photo, holds a sunflower, symbol of the Illuminati Sun God. The solar deity is also prominently worshipped in the Hindu religion, and the Beatles were devoted followers of the Maharishi Mahesh Yogi and other Indian Hindu gurus.

Time's feature story, in fact, reports that George Harrison never gave up on his gurus, to his dying breath. All the Beatles were drenched in illegal drugs, such as cocaine, hashish, and heroin.

Their album, Sergeant Pepper's Lonely Hearts Club Band, even had a cameo photo of British "666" beast satanist priest, Aleister Crowley, on its cover. The latest information is that the Beatles were an experimental music group sponsored behind the scenes by British and U.S. intelligence.

Their role was intended to use various psyops mechanisms and anti-Christian messages to arouse turmoil and psychological trauma in society. One of the Beatles most memorable albums was titled, Magical Mystery Tour.

Beatle John Lennon was murdered by a man many believe to have been a CIA trained "Manchurian Candidate," and George Harrison was once assaulted and stabbed by a would-be assassin.

https://www.bibliotecapleyades.net/sociopolitica/codex_magica/codex_magica22.htm

The Beatles singing group shown at left in a cartoon drawing from their Yellow Submarine album. John Lennon flashed the "El Diablo" sign. At right, Paul McCartney gives the "OK," or "666," sign while Lennon again displays the horned devil signal with his left hand.

Lennon, who once bragged the Beatles were more popular than Jesus, was assassinated just outside the Dakota House condominiums in New York City, where he and wife Yoko Ono lived.

It was at the gothic Dakota House condominium complex that the deeply satanic movie, Rosemary's Baby, was filmed.

SONGS (Most of the Beatles’ songs were used for programming. Charles Manson was programmed with Beatles’ music.

The programmers know ahead of time what are going to be the next hits, and they regularly call in slaves and hypnotically make the lyrics to be cues for the slaves before the music comes out.

For instance, the lyrics of “Ain’t that a Shame” will make certain alters angry. For another slave the lyrics “Everything is relative, in its own way” reminds the person of the cult family & obedience.)

https://www.bibliotecapleyades.net/sociopolitica/mindcontrol/Chapter04.1.htm

'The Beating of Drums...'

In 1963, the Beatles arrived in the United States, and with their decisive airing on the Ed Sullivan Show, the "British sound" took off in the U.S.A.

For their achievement, the four rocksters were awarded the Order of the British Empire by Her Majesty the Queen.

The Beatles and the Animals, Rolling Stones, and homicidal punk rock maniacs who followed were, of course, no more a spontaneous outpouring of alienated youth than was the acid culture they accompanied.

The social theory of rock was elaborated by musicologist Theodor Adorno, who came to the United States in 1939 to head the Princeton University Radio Research Project.

Adorno writes:

"In an imaginary but psychologically emotion-laden domain, the listener who remembers a hit song will turn into the song's ideal subject, into the person for whom the song ideally speaks.

At the same time, as one of many who identify with that fictitious subject, that musical I, he will feel his isolation ease as he himself feels integrated into the community of "fans."

In whistling such a song he bows to a ritual of socialization, although beyond this unarticulated subjective stirring of the moment his isolation continues unchanged... The comparison with addiction is inescapable.

Addicted conduct generally has a social component: it is one possible reaction to the atomization which, as sociologists have noticed, parallels the compression of the social network.

Addiction to music on the part of a number of entertainment listeners would be a similar phenomenon."

The hit parade is organized precisely on the same principles used by Egypt's Isis priesthood and for the same purpose: the recruitment of youth to the dionysiac counterculture.

In a report prepared for the University of Michigan's Institute for Social Research, Paul Hirsch described the product of Adorno's Radio Research Project.

According to Hirsch, the establishment of postwar radio's Hit Parade,

"transformed the mass medium into an agency of sub-cultural programming.

Radio networks were converted into round-the-clock recycling machines that repeated the top forty hits."

Hirsch documents how all popular culture - movies, music, books, and fashion - is now run on the same program of preselection.

Today's mass culture operates like the opium trade: The supply determines the demand.

https://www.bibliotecapleyades.net/sociopolitica/consp_acua/consp_acua_add1.hymns

INTRODUCTION TO THE SOCIOLOGY OF MUSIC

Adorno, Theo. Adorno was kicked out of Germany by Hitler because of his Cult of Dionysus music experiments.

He was moved to England by the Oppenheimers where the British royal family gave him facilities at Gordonstoun School and their support.

It was here that Adorno perfected “Beatlemusic Rock,” “Punk Rock” “Heavy Metal Rock” and all of the decadent clamor that passes for music today.

It is worthy of note that the name “The Beatles” was chosen to show a connection between modern rock, the Isis cult and the Scarab Beatle, a religious symbol of ancient Egypt.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_committee300_10.htm

A New "Religion" of Materialism?

Apart from creating confusion and negativity towards esoteric spirituality there may be a greater agenda at play.

It appears the music industry is working towards creating its own form of "religion": a way of life based on the worship of popular artists, mindless materialism and socially destructive behaviours.

Artists mocking religion and placing themselves in positions of worship is not a new phenomenon.

As far back as 1966, John Lennon boasted that the Beatles were more popular than Christ and that Christianity would pass away.

https://www.bibliotecapleyades.net/ciencia/ciencia_conscioussociopol68.htm

Bioenergetic Music for "Mass Hysteria"

Tobias's manuscript makes it clear that he was alarmed at his discovery that bioenergetic research in acoustic science focused on producing the social impacts of emotional arousal and even "mass hysteria."

This research included,

"investigations in 'physical analysis' of sound effects, an established technique which others may use in practice dependably .......

......." the determination of measures by which audience reactions could be accessed, "even without any technical capacity for psychological measurement of audience response," and the use of sound effects that "produced what was really mass hysteria."

Tobias noted the Foundation-funded investigations extended to,

"'average tolerance of sound effects of different intensities and of different frequencies,' or... the effectiveness of sound in relation to different noise levels... (Page 66).

"The clear interest here seems to be in the 'dramatic' use emphasized in... bringing audiences, with the use of the 'sensory appeal' of sound effects, to states of 'mass hysteria'."

These revelations best account for the "mass hysteria" demonstrated by audiences responding to "Rock-n-Rollers," initially Elvis Presley, followed by the "British Invaders."

It was recently revealed that The Beatles were barred from performing in Israel following an investigation that prompted the education ministry to conclude the Beatles' performances caused:

"Hysteria and mass disorder... There is no musical or artistic experience here, but a sensual display that arouses feelings of aggression replete with sexual stimuli."

At that time, the Israeli Mossad was effectively tracking Her Majesty's Secret Service (MI6) and CIA's military interests, as it had been since WWII.

In 1938. the British-American radio and television cartel was funded and administered by the Rockefeller Foundation, also funding Jewish hate and administering Nazi eugenics.

This Anglo-American media connection was evidenced by Michele Hilmes.

On August 31, 1957, hysterical crowds trampled people, including Canadian reporter, John Kirkwood, who wrote:

"It was like watching a demented army swarm down the hillside to do battle in the plain when those frenzied teenagers stormed the field. Elvis and his music played a small part in the dizzy circus.

The big show was provided by Vancouver teenagers, transformed into writhing, frenzied idiots of delight by the savage jungle beat music.

A hard, bitter core of teenage troublemakers turned Elvis Presley's one-night stand at the Empire Stadium into the most disgusting exhibition of mass hysteria and lunacy this city has ever witnessed...

Colonel Parker also enjoyed reading the accounts of the riot the next day."

It turns out that Colonel Tom Parker, Elvis's manager, was suspect for illegally joining the U.S. Army as a European immigrant.

He broke his co-management contract with Hank Snow for exclusive control over Elvis's career, developed Presley's contact with RCA (discussed below), and worked under the alias of "Col. Tom Parker," a name that he secretly stole from his Army base commander, Captain Tom Parker.

His real name was Andreas Cornelis ("Andries") van Kuijk.

Thus, the Empire Stadium riot pleasing to "Parker" was most likely a successful U.S. military-RCA experiment to induce "mass hysteria," especially since RCA, according to Tobias, was a major participant in the Rockefeller Foundation-funded research to musically produce this precise audience impact.

https://www.bibliotecapleyades.net/ciencia/ciencia_consciousscience26.htm

Before the slayings that were to become known as the Tate-LaBianca murders, Manson and his Family moved to Santa Barbara and Topanga Canyon, where they supported themselves by theft (especially of credit cards) and drug dealing."

Vincent Bugliosi, the prosecutor during the Tate-LaBianca trials, in his search for a motive for the barbaric slayings, found that the motive was centered around a bizarre religious belief and rock music.

Also centered around the infamous Charles Manson Family were found very well-known names in Hollywood and rock music circles.

In his book, Helter Skelter, Bugliosi said Manson had an obsession for the Beatles' music, according to former inmates. While he was in prison, the Beatles song, "I Want To Hold Your Hand" became the No.1 song on the record charts in January 1964.

Manson's fanatical interests while in prison were scientology, his guitar, and his interest in the Beatles songs. But he told numerous people that, given the chance, he could be much bigger than the Beatles.

Manson believed that the Beatles were modern day prophets that were giving their messages through their music. Manson would quote, verbatim, lyrics from the Beatles songs, finding in them a multitude of hidden meanings.

He would also use his interpretation of Revelation chapter 9 to support his own views. Now here lies the bizarre reasoning behind the mass murders he and his Family committed.

We are not interested in studying the bloody history of the actual killings, but how these young human beings could be led to do such things.

Charles Manson taught his disciples that they were living in the Age of the Armageddon and the word he used for this Great Battle was "Helter Skelter."

He taught his followers that the battle of Armageddon would be fought by a race war between the blacks and whites.

There are two keys to understanding this ignorant man's murderous propaganda, and his false interpretation of the book of Revelation.

One, the number 9 in Witchcraft, as we have seen, identified with death, Hell (fire and brimstone), and also the immortal soul. Hence, Manson's whole religion was based on his interpretation of Revelation chapter 9.

The second key to understanding the Manson madness was the revolutionary propaganda from the Beatles songs.

John Lennon of the Beatles can be quoted as saying, "Christianity will go. It will vanish and shrink. I needn't argue about that:

I'm right, and I will be proved right. We're (the Beatles) more popular than Jesus now..." St. Louis Globe Democrat, Aug. 5, 1966, quoted from The Death of a Nation, Stormer, Liberty Bell Press, 1968, p. 67.

A decade after the Tate-LaBianca murders, it was reported that evil propaganda messages were found in some Beatles songs.

This article appeared in the San Antonio Light, Monday, February 1, 1982. The headline read: "Backward masked Satan promos found on some Rock'n Roll Records."

Evil messages were not only found in the Beatles' music, but also in other rock groups, such as Led Zeppelin, Queen, Black Oak Arkansas, and the Electric Light Orchestra.

This subliminal technique of hiding satanic messages is known as "Backward Masking." Messages that cannot be heard when played forward are implanted in the songs.

This backward masking of messages can only be understood when the record is played backwards.

This is done by placing the speed of the turntable in neutral position, then spinning it by finger backwards at a speed where the voice of the group is distinguishable.

Although the Beatles songs do not mention the name Satan in their White Album, still it is the Beatles song, "Revolution No. 9," with which Manson was obsessed.

Charles Manson, a satanist himself, believed that the Beatles, as modern day prophets, were telling Manson through their songs what he was to do and what was going to cause the Battle of Armageddon.

Manson's disciples also believed that the Beatles songs were speaking to Charles Manson, especially the songs in their so-called White Album.

For instance, in the song "I Will," can be heard: "And when at last I find you / Your song will fill the air / Sing it loud so I can hear you / Make it easy to be near you."

Manson interpreted this to mean the Beatles wanted him to make an album too. He firmly believed that he was Christ and the Beatles were looking for him.

Manson told his followers that the Beatles knew that Christ had returned to earth again and that he was living somewhere in Los Angeles.

Here is confusion. John Lennon, as we saw, was antiChrist.

In the Beatles' White Album is a song called "Honey Pie," which can be heard:

"Oh honey pie, my position is tragic / Come and show me the magic / Of your Hollywood song."

The song goes on to say: "Oh Honey Pie you are driving me frantic / Sail across the Atlantic / To be where you belong."

In January and February of 1969 just after the White Album was released, Manson and his disciples tried to contact the Beatles through several telegrams, letters, and through telephone calls to England, to invite the Beatles to cross over the Atlantic and join him in Death Valley.

However, they were without success.

Manson told his followers that in the Beatles White Album were found the messages that would "set up things for the revolution" he believed was the Battle of Armageddon.

There were actually five songs that Manson and his disciples took, more than the others found on the album, that they believed were messages directed to him.

They were:

- "Blackbird,"

- "Piggies,"

- "Revolution 1,"

- "Revolution 9" and

- "Helter Skelter"

In the song, "Blackbird singing in the dead of night / Take these broken wings and learn to fly / AIl your life / You were only waiting for this moment to arise."

Manson interpreted this to mean that the black man was going to arise, overthrow the white man, and take his turn.

And the Beatles, according to Manson, were trying to cause them to start a race war.

The first four angels of Revelation, chapters 8 and 9, Manson interpreted to be the four Beatles and the Locusts (insects) were describing the Beatles also because

......."They had hair as the hair of women" Revelation 9:8. Out of the mouths of the Four Angels (Beatles) "issued fire and brimstone."

In Revelation 9:17, the fire and brimstone CAME OUT OF THE MOUTHS OF THE HORSES, NOT THE FOUR ANGELS as Manson mis-interpreted.

This fire and brimstone represented the lyrics, according to Manson, the power of the songs of the Beatles

Their "breastplates of fire" were the electric guitars. Their shapes "like unto horses prepared unto battle" were their dune buggies.

The Horsemen who numbered two hundred thousand thousand and who would roam the earth spreading destruction, were the motorcycle gangs.

And the Fifth Angel, according to Manson, was himself.

Now in Revelation 9:4 it talks about.......

"the SEAL OF GOD in their foreheads." Manson was asked what this meant and he said that this meant there would be a MARK on people that only he would be able to see, and the MARK would designate whether they were with him or against him.

And in Revelation 9:11 we read:

"And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name APOLLYON.

" Abaddon means "destroyer." Manson, who believed he was both Christ and Satan incarnated, believed that this applied to him, for according to Manson, he was "the king, which is the angel of the bottomless pit."

The Beatles song "Revolution 9" contains a segment that, played backward, has another message.

The repetition of "number nine, number nine" in reverse says, "Turn me on dead man." "Revolution 1," as given on the jacket insert, reads:

"You say you want a revolution / Well you know / We all want to change the world... / But when you talk about destruction / Don't you know that you can count me out."

However, when you listen to the record itself, immediately after "OUT" you hear the word "IN" and Manson took this to mean the Beatles once undecided, now favored the Revolution.

Now later on in the song, the lyrics say, "You say you got a real solution / Well you know / We'd all love to see the plan."

To Manson, the meaning of this lyric was obvious: Manson was to sing out and tell the TUNE-IN people how to escape the Armageddon (Helter Skelter).

In "Revolution 9," the listener hears whispers, shouts, snatches of dialogue from the BBC, bits of classical music, mortars exploding, babies crying, church hymns, car horns and football yells-which, together with a chant of "Number 9, Number 9, Number 9,".......

.......build to a climax of machinegun fire and screams, followed by the soft and obviously symbolic lullaby of "Good Night".

Manson said this was the Beatles' way of prophesying the battle of Armageddon, which Manson believes is a race war.

To introduce new cults and continue to boost those already functioning which include rock music gangsters such as the Rolling Stones (a gangster group much favored by European Black Nobility.......

.......especially the queen), and all of the Tavistock-created rock groups which began with the Beatles to push and profit from the drug industry.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_illuminati_12c.htm

John Lennon publicly claimed that the Beatles single-handedly introduced narcotics to the world's teen population.

This suggests that the Beatles unwittingly may have been under covert Tavistock control, the lyrics of Lennon's "Imagine" are typical New World Order propaganda.

Soon after meeting Lennon, Yoko Ono, the offspring of one of Japan's elite ruling families, was summarily ordered back to Japan by her parents and institutionalized for a short while, prior to returning to New York.

Was she subjected to mind-control to order to function as Lennon's controller?

Before his untimely death, he was clearly his own person and therefore considered a political loose cannon by the illuminati.

This could be the motive for his assassination by CIA asset Mark Chapman, who displayed obvious signs of mind-control at the time of his arrest.

Upon [possibly] assassinating John Lennon [still considering yokos part in it], Mark David Chapman then immediately commenced sitting in an "indian" style, with his legs crossed.......reading the book "THE CATCHER IN THE RYE" [sleeper agent triggers for illuminati assassins] whilst patiently awaiting his arrest from the authorities.......

.......Upon attempting to assassinate Ronald Reagan John Hinkley Jr. then immediately requested to read the book "THE CATCHER IN THE RYE" [sleeper agent triggers for illuminati assassins]

whilst patiently awaiting his arraignment in his holding cell.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_mindcon13.htm

SATAN ROCK

Since the launching of the Beatles as an international project via TV in 1963, "rock" has been the most influential recruiter to Satanism.

Rock was created, and is still coordinated by Crowley’s followers and by the OTO network, in cooperation with WICCA.

It is, not so incidentally, also the Satanist’s biggest money-maker, and believed to provide the chief logistical support for deployments and other activities of the OTO-WICCA efforts world-wide.

There is nothing spontaneous or accidental about "rock."

It is a product of classical studies of the ancient Phrygian terrorist cult of Satan-Dionysos, the model for the Roman Bacchic cults of similar characteristics.

Crowley’s control of the "rock industry" has been documented by a team of [private] investigators, who have also noted, that in addition to the Satanist lyrics, Satanist messages embedded sublimely in rock recordings are a key feature of this subversive operation.

The "rock rhythm" itself is copied from the old Dionysian-Bacchic cults.

Even without the drugs and sexual orgies which are characteristic features of hard-core rock affairs, repeated, frequent, hours-long exposure to constant repetition of "rock rhythms" produces lasting, drug-like effects on the mind of the victim.

Reducing sexual practices to the level of beastiality, is a crucial feature of Satanism in all historical periods studied, from Phrygian Cybele-Dionysos cult-period onward.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_lucytrust03.htm

The Movie HELP featuring The Beatles is dripping with occult when looking past the goofy slapstick

The Goddess Kali:

- Associated with both creation and destruction in the Hindu pantheon. Kali is a lunar deity who moved east from Sumeria. As a moon goddess she is associated particularly with moon blood and the essences of the female organs of generation.

HELP: The murderous Eastern cult of Kali discovers that its sacred sacrificial ring is missing. Ringo, drummer of The Beatles is wearing it and it wont come off, ring sent to Ringo by a female member of the cult (who was supposed to be sacrificed) as a gift.

High Priest Clang, Ahme, Bhuta, and several cult members leave for London to retrieve the ring. Several failed attempts to steal the ring back from Ringo fail, due to the ring being stuck on his finger.

After a confrontation in an Indian restaurant Ringo learns that if he does not return the ring soon he will become the next sponsored sacrifice.

It's a race against time and across the world, with John, Paul and George trying to evade the blood cult and protect their friend Ringo while they're all being chased not only by Clang and his minions, but also by an obsessed scientist, his assistant and the Chief Inspector of Scotland Yard.

https://youtu.be/ts6FxlUxiR0?si=DjDs2v8lD3Vod8YJ

A picture of Crowley appears on the cover of the Beatles "Sergeant Pepper's" album, and Led Zeppelin guitarist Jimmy Page bought Crowley's estate in Scotland.

https://www.bibliotecapleyades.net/biblianazar/antichrist02.htm

Beatle Paul McCartney, left, gives the llluminati's "Divine King" sign while fellow Beatle John Lennon lets us know he's a Luciferian.

See Pic in Link Below:

https://www.bibliotecapleyades.net/sociopolitica/codex_magica/codex_magica24.htm

The late and legendary R. Buckminster Fuller the subject of the Beatles song 'Fool on the Hill', discoverer of the importance of sacred geometry, used to put it this way:

'Love is metaphysical gravity'.

If there wasn't any love in the waves that shape matter they would start to destructively interfere and the universe would collapse into a great void.

God is the Gforce in Aether Dynamics and the fractal attractor in chaos theory, attracting all waves towards the center where all becomes One.

https://www.bibliotecapleyades.net/ciencia/ciencia_fisica36.htm

Why George Bush & the CIA Had John Lennon Killed

In honor of John Lennon we have decided to take a look at what was going on "behind the scenes" of the 1960's "countercultural revolution" .......

.......to explore a bit how the world's most popular and undeniably talented rock band was without ANY doubt "used" by New World Order social manipulators (as were MANY other pop music groups) in an ongoing project designed to control the development of human society in the most fundamental ways.

There are direct links which tie these activities to certain covert scientific projects of an extremely advanced, esoteric nature which were exploring the realms of (manipulation of) consciousness, time, thought and indeed "reality" itself, which were being conducted during the same period of time on Long Island, N.Y. activities which were part of the Phoenix/Montauk Project.

In fact we are talking about two sides of the same coin here.

On one side, the covert, subtle manipulation and control of not only thought and human consciousness but of the most fundamental, subatomic, electromagnetic matrix of (perceived) reality itself, using newly-developed electromagnetic/radio frequency technologies of extraordinary, unheard-of power and potential.

On the other side, directly and overtly shifting the paradigm, changing the basic concepts, widening the parameters--the envelope, changing the playing field and all the rules of play by which society defines itself within an exceptionally short period of time.

Factor in what was happening on more political levels such as the civil rights and anti-war movements, stir briskly while at full boil, and STAND BACK.

What's rather amazing in fact is that society did NOT disintegrate/implode/explode in the way the social manipulators had apparently hoped.

The higher qualities of human nature seemed to consistently float to the surface--with some notable exceptions .......

.......and certainly began to acquire a significant, if not nearly irresistible momentum of it's own; pulling in larger and larger segments, of "straight"' .......

.......conventional, "moral majority" type elements of society. Obviously, the big plan was backfiring severely and something "needed to be done."

The Beatles were also part of the mass experimentation that contemporary society was being subjected to by the CIA, Britain's MI6 and the Tavistock Institute utilizing extraordinarily powerful mind-altering psychedelic/psychotropic drugs.

More than most of the other boys in the band, John Lennon became increasingly aware not only of the extent of corruption, co-opting and infiltration of the counterculture -- most CERTAINLY including the rock music scene -- by these same covert government intelligence elements.

Lennon was also aware than one of the "big guns" in the CIA/Tavistock/MI6 arsenal, LSD, had been having effect upon the population groups to which it had been funneled so extensively that was most unexpected on the part of the social manipulators--and to a large extent the effect was rather positive and beneficial.

Shortly before Lennon's death at the hands of what beyond the faintest glimmer of a shadow a doubt was a mind-controlled, "Manchurian Candidate" type assassin deployed by Tavistock/CIA/MI6, Mark Chapman to terminate a "loose cannon" .......

.......Lennon had the audacity to massively and blatantly "out" the aforementioned consortium in a Playboy interview -- in which he made note of LSD's completely unforeseen liberating impact upon human society and civilization .......

.......pretty much thumbing his nose at the whole bunch and their whole trip; AND indicating as well that he was aware of the extent to which he and other pop musicians had been set up--to be used as dupes in massive social manipulation schemes.

Shortly afterward, New World Order head honcho and Satanist, globalist, CIA chief and Tavistock underling vice-president George Bush had Lennon slaughtered on the streets of new York .......

.......where he died in the arms of someone [yoko ono] that a number of sources claim was the monarch agent deployed by MI6/CIA to keep the exceptionally intelligent Lennon constantly gravitating toward the social fringe .......

.......thereby keeping his potential influence at least minimized. That's NOT to say that even IF this last supposition is true, that genuine love and a fulfilling relationship did not exist between the two and that Yoko's "programming", just like John's, broke up and fell apart.

[Parris here, back in 2008 on Twitter I was posting something similar to these posts on the "Satanic Dark Beatles" etc and guess who gave me a direct message? Yes, thats right, Yoko Ono .......

Her ears must have been ringing after reading my posts back then.......was she feeling a little nervous.......

Yoko Ono messaged me saying only:

"Think Peace and Act Peace" etc etc. blah, blah, blah....... still spewing her Mind Control Alter Programming trying to deceive people, yet alone trying to deceive me into thinking she was just an innocent tag-a-long wife of a popular band called "The Beatles".......

Let us not forget what she did involving the creation of her 5th albums record cover........ done in Pure illuminati Protocol.......

"Season of Glass" is the fifth studio album by Yoko Ono, her first solo recording after the murder of her husband John Lennon. Season of Glass, released in 1981.

Yoko Onos "Season of Glass" album cover has John Lennons spectacles that he wore the night of his assassination .......

.......all bloody and cracked and most definitely filled with the vibration of Mr Lennons Murder in all its raw energy.......

Purposely placed Imagery to open up your Wounds of the past and let you know, hidden in plain sight, that "illuminati tyranny" Ruled back then.

Similar to how after the assassination of John F Kennedy a memorial was erected in Arlington National Cemetery as a Magnus Opus or "The End of an Era" to honor the illuminati sacrifice of Americas 35th President.

Yoko Ono purposely placed those bloody murder vibration filled glasses on that album as a symbol of.......

....... her "Mission was Complete" "I successfully fulfilled my Mind Program Contract and this is my "Magnus Opus" the reason for being with John Lennon in the first place.

Yoko was there at the assassination meeting point to supervise the hit and adjust accordingly to how it was going and ultimately how it went.......and I feel, if it needed being,[if not part of the reality of it already], I feel Yoko would of had no problem Pulling the Trigger on John Lennon herself....... as a matter of fact, I would not be surprised if yoko did the "Lennon hit" and Mark David Chapman was the "Oswald".......

Just like the Kennedy Assassination, as in right after Lennons assassination incident occurred, there were conflicting news reports about how many shots were fired. A search on Youtube will reveal the news broadcasts on "John Lennons Assassination in the news 1980"

Just like:

- The Roswell New Mexico ufo crash in 1947

- The Kennedy Assassination in 1963

- The Jim Jones Massacre in 1978 also known as The Peoples Temple Agricultural Project, better known by its informal name "Jonestown".......

the 24 hour period after any illuminati incident is very detrimental to the "clean up" process........especially assassinations, and descrepancies of evidence can be found within that pivotal window of time.......like within 24 hours after the Kennedy assassination, bullets that hit the curbs were "delt with" as well as witness such as a movie usher and a taxi driver just to name a few.

.......Yoko, save that nefarious charade for the sleepwalking Beatlemania fans in the Satanic Matrix who still believe Paul McCartney is alive.]

And what about those Beatles, anyway? Anyone who has heard the Beatles' live tapes recorded in 1961 and 1962 on the "Reeperbahn" in Hamburg, Germany realizes that this was an incredibly talented and energetic bunch of rockers who no matter what would have undoubtedly had a significant impact upon popular music and thus upon society itself, regardless of things which occurred subsequently in their saga.

And without any doubt being given access to state-of-the art audio and recording technologies and facilities stimulated their creativity quite a bit--for the benefit of all; "MR. KITE" included.

https://www.bibliotecapleyades.net/sociopolitica/sociopol_tavistock03.htm

"The four chief demons are:

- Ephememphi, who belongs to pleasure

- Nenentophni, who belongs to grief

- Blaomen, who belongs to fear

- and .......Yoko .......who belongs to desire

https://www.bibliotecapleyades.net/nag_hammadi/apocjn.htm

“Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.”

– John Lennon

before his murder by CIA mind-control subject Mark David Chapman

https://www.bibliotecapleyades.net/sociopolitica/sociopol_ponerology08.htm

In the late 1950s, President Eisenhower and VP Nixon created a super-secret team of assassins composed of around 40 crack CIA agents.

Operation 40 as it came to be known was behind many of the most famous high-profile assassinations of the last 6 decades, including:

- JFK

- MLK

- RFK

- John Lennon

- Che Guevara

- Bob Marley,

- and more

This assassination template is still used today, carried out against innocent citizens and peacemakers.

https://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_nwo248.htm

Rosemary’s Baby was filmed in the Dakota building where John Lennon, who personally knew Polanski, was shot to death. In the movie, the elites (including cameo by Church of Satan founder Anton LeVay) demand her baby for success and fame. One year after, Polanski’s pregnant wife Sharon Tate was murdered by Charles Manson’s followers.

Manson was later seen frantically waving Masonic gestures at his trial.

“John F. Kennedy was killed over currency right next to the 33rd degree latitude line in the 11th month on the 22nd = 2 x 11 right when he entered the pyramid. Where they killed him, with a triangle hit of masonry, they erected an Egyptian obelisk with the eternal flame of masonry on top. Ronald Reagan was shot in the 3rd month on the 30th day 3 + 30 = 33. George Bush Sr. aren't you a 33rd degree mason, and wouldn't you have benefited from Reagan's death? Were not your policies radically different from Reagan's? Didn't you ride his coat tails into office? You would have NEVER have been President if it wasn't for Reagan.”

“Masonic – Occult Numerology” by “Duke”

“Little more than two months after taking office, President Reagan was struck by an assassin's bullet which, but for a quarter of an inch, would have propelled Bush into the Oval Office seven years before his time.

Oddly enough, the brother of the would-be assassin, John W. Hinckley, had scheduled dinner with Bush's son Neil the very night Reagan was shot. Hinckley's Texas oilman father and George Bush were longtime friends.

It should also be noted that Bush's name—including his then little publicized nickname ‘Poppy’ along with his address and phone number were found in the personal notebook of oil geologist George DeMohrenschildt, the last known close friend of Lee Harvey Oswald.”

Jim Marrs, “Rule by Secrecy”.

https://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy39.htm

MIND CONTROL

Religion, is the greatest form of mass mind control yet invented.

So is advertising and television. But mind control goes much deeper than that. The Illuminati-reptilian mind-control projects have produced literally millions of mind-controlled robots in endless walks of life, who are programmed to carry out the Illuminati agenda.

There are many electronic ways that this is done today, but one of the key methods is trauma-based mind control.

This is where people are traumatized through sexual abuse, violence, being forced to witness and take part in human sacrifice rituals, and countless other horrors. Such experiences activate the mechanism in the mind which shuts out memories of extreme trauma.

One expression of this, which many people have experienced, is when they cannot recall the memory of a bad car crash. They can remember before and after, but not the impact. The mind puts an amnesic barrier around the memory so we do not have to keep re-living it.

This is a good thing, but the Illuminati [like when using Mark David Chapman and John Hinkley Jr. etc] have developed methods of using this technique to traumatize a mind over and over until it fragments into a honeycomb of disconnected amnesic barriers.

They then program these different fragments of mind (altars as they call them) with different tasks.

The tasks are pre-programmed to be activated with a "trigger" word, color, sound, or whatever. Once the trigger is given [like some found in CATCHER IN THE RYE] that programming locks in and the person will do whatever they have been programmed to do [like assassinate John Lennon].

This can be to have sex with a famous politician, which they will not remember; to assassinate someone like John Lennon or to go crazy with a gun in a school, which leads to gun control etc.

https://www.bibliotecapleyades.net/vida_alien/esp_vida_alien_29.htm

There are also a couple of parallels between Hinckley, Sirhan Sirhan [assassinated Robert Kennedy on 6-5-1968], Mark David Chapman [John Lennon’s assassin on 12-8-1980], Arthur Herman Bremer [Alabama Gov. George Wallace’s would-be assassin on 5-15-72] and Patrick Purdy, the commando-geared gunman who slaughtered five Vietnamese children, and wounded another 30, in a Stockton, CA, school yard on Tuesday, January 17, 1989. ALL were heavily dosed with psychiatric drugs—mind-control drugs by definition.

https://www.bibliotecapleyades.net/sociopolitica/serpo/information27.htm

There are only a handful of scripts and methods the CIA shadow subintelligence agency use when practicing their trade and developing their methods.

All the scripts rely on creating incredible anger through endless torture, frustration because no one will believe them or help them, and then redirecting the anger to a person, usually a neighbor, local authorities, FBI, President, political party, an x-boss, or x-lover, or some variation.

Redirecting the anger and frustration while pushing them to the brink of violence is the strategy in creating a mind controlled assassin or Manchurian candidate.

There are only a couple variations using obsession and love as the delusional driving method to motivate an assassin.

Two well known love driven assassins were John Lennon's and President Regan's shooters.

Theres a documentary that takes the "Paul is dead" theories to a whole new level that actually makes sense even more during these revealing times.

Accompanied by a mysterious voice on a tape that discusses an aspect of Beatles history, the truth about the urban legend is finally revealed in these newly discovered secret audio tapes:

Claiming that Paul McCartney was killed in a car crash in 1966 and replaced with a double.

The Paul McCartney double is nick named "Faul" amongst those who are in the know involving this theory.

Click Link Below for Free watch of the Documentary entitled:

"Paul McCartney Really Is Dead: The Last Testament of George Harrison"

Regardless of how you feel about this documentary.......

.......the facts remain unchanged on the photographic evidence at hand and when this subject is read in context with the rest of the shady goings on involving The Beatles in the 60s that is being relayed to you here and now ....... it does indeed paint a nefarious picture of a Conspiracy Theory of monumental proportions.

https://archive.org/details/paul-mc-cartney-really-is-dead

George Harrison Accidentally Exposes the Fake Paul Mccartney look-a-like "FAUL" Youtube Video:

https://youtu.be/kW28mGCWlNw?si=5R-caqASjoV6lvph

Fake Paul Mccartney analyzed on video:

https://youtu.be/W71-Lljwzdc?si=e0YV3PKRSt3rvM5s

Now I have known for a while that Paul McCartney was replaced in 1966 and I can nearly always tell the real from the fake from any picture.

I came across these high definition photos recently and the differences

here appear clear as day to me, and it is beyond a doubt that these are two

different individuals.

Now please remember that it is asserted that the fake Paul has had numerous plastic surgery procedures in the (unsuccessful) attempt to mimic exactly the original.

Some might say that one photo or other has been stretched or squished in order to deceive but if you click below, you will see all the different possible distortions considered.

The end conclusion remains the same.

To me, this is absolutely conclusive.

If you can wake up to this fakery, then a whole can of worms may be opened up to you in terms of the extensive use of fakery in modern media news story presentations.

After all the above deception goes back nearly 50 years!

https://www.abovetopsecret.com/forum/thread795267/pg1

Other discrepancies of the fake Paul Mccartney "FAUL" are as follows:

The real Paul McCartney has:

- Fuller lips. When looking carefully at close portraits of imposter Faul you can clearly see plastic surgery "line" scars repeating twice or more on his lip to the left.

- Fuller cheeks. Imposter Faul has more sunken in cheecks.

- Thicker, longer eye brows. Imposter Faul has a surgically raised eyebrown region made to look like Pauls, but to no avail as Fauls eye brows are not thick and black and are definitely not as long as Paul McCartney's eye brows.

- Fatter ear lobes. Imposter Faul has quite normal looking ear lobes, not as "plump" as Paul McCartneys ear lobes. Notice from 1966 on Faul mostly used a hair style that covered his lower ear lobes.

- A sloping nose bridge with a pointy nose, pointing ever so slightly upward. Imposter Faul has a surgically altered nose made to look "pointy" with no slightly upward point to it.

- Has a distinct hair cowlick in his frontal bangs that permanently sways his frontal bangs of his beatle haircut always to his "right" side ....... in that as his bangs grow, they start to lay to his "right" and always grows/lays to his "right" side of his head. [forming the round scarab/beatle look]. Imposter Faul's hair cowlick on his frontal bangs section right after the surgery/switch and for quite some time after that is the opposite, in that his hair cowlick primarily lays his hair to his "left" with Imposter Faul later in his career trying to make his hair correctly mimick Paul McCartney's original hair, but due to his frontal hair cowlick, his frontal bangs always revert back to their original cowlick blueprint and lays back to the "left" giving him the "hair parted down the middle" look. Epic Fail.

- Paul McCartney was slways slightly taller than all the other Beatles. Imposter faul not only is taller than the other Beatles, but after 1966 when he joined the Beatles replacing the Real Paul McCartney, he appeared NOTICEABLY Taller than the original Paul McCartney.

Being that the real Paul McCartney was subversively switched to a look-a-like who won a Paul McCartney look-a-like contest, the Beatles decided to stop touring on Aug. 21, 1966, a decision no doubt made my their higher up controllers within the "Beatlemania agenda" as to not have any unsuspecting fans take notice of the subtle differences between the real Paul McCartney and his surgically altered illuminati replacement ....... "Faul".

Some visual mistakes flew under the publics radar in that in the movie Magical Mystery Tour, when the Beatles were dressed as Wizards there are scenes that reveal Fauls facial imperfections [compared to Paul] due to Fauls facial plastic surgery being made to look like the real Paul McCartney.

At 6:26 on the video link below you'll see a visual mistake that flew under the publics radar in that in the movie Magical Mystery Tour. Its the scene where the Beatles are acting out to be Wizards engaging in Sorcery.

This particular youtube clip is the behind the scenes filming of that scene complete with out-take scenes never intended to be seen by the genetal public.

At 6:26 on the video link when paused, its evident ....... one can clearly see the Plastic Surgery scars left upon his top left lip as a result of having multiple surgeries, in being made to resemble the real Paul McCartney.

The Link for this is Below:

https://youtu.be/t9mcsmpnUPg?si=2UEFC0H_vRVw7RzJ

Faul was brought into the Beatles in 1966 as part of the Mind Control Program broght on by Tavistock and The Stanford Research Institute.

So much scheming, time, money and promotion was embedded into the Nefarious "Beatlemania Agenda" as to utilize the wave of Beatlemania to carry society into a later planned, lsd drug culture society for the purposes of global mind control.

Like Johnn Lennon said in a Playboy interview before he was assassinated:

The CIA tried to use lsd to control people but it instead backfired and the lsd movement did nothing more than to "Set people Free.

John Lennon knew the Beatles were manipulated into a global mind control movement, especially in the end. I always felt that Yoko Ono was one of John Lennons Mind Handlers who was well aware and there with him at the Dakota the night he was assassinated.

I also feel that john Lennon was corralled into a satanic gaunlet that particular night where Mark David Chapman was waiting to fulfill his mind control obligation of rubbing out an opposing opponent of the illuminati.

The Real Beatlemania Agenda

To create, advertise and utilize the Corporation called the Beatles to be fully accepted by the global public, for purpose of geo-engineering social standards in favor of Global Manipulation through the illuminati created "Hippy" drug movement of the 60s....... through their lsd movement that was kicked off by the illuminati powers of Control.

Some the famous names of the sixties such as "Timothy Leary" were put on the CIA payroll as to subterfuge humanity into an lsd drug mind control state.

"Turn on

Tune in

and Drop Out"

was the bait on the Timothy Leary hook in getting the lsd message through to the unsuspecting public, [especially the youth] through:

- Festival concerts

- Rock music artists and their lyrics

- Rock art posters

- face paint

- lsd public service announcements, ads and shorts on tv

- having every show on tv then instantly turn "Psychedelic" as to push the lsd drug movement on the unsuspecting public through tv "programs"

- having almost every band in the top-40 music spectrum become "Psychedelic" over night.

- the birth of "Acid Rock" to "Trip" too

- endlessly playing top-40 bands that are well known for their psychedelic music to "Trip with", such as The Grateful Dead, Pink Floyd, The Moody Blues, Jimi Hendrix and Eric Burden etc etc.

Did you ever stop to wonder why all this socially geo-engineered Psychedelic behavior appeared seemingly overnight?

Making everything in the late 60s lsd related with psychedelic twists on everything around the globe involving every creative artistic endeavor humanity quests upon ....... especially through tv mind control and manipulations.

Take notice during the 60s everything on tv was:

- Trippy, far out, groovy man and psychedelic

- Love beads and Black light reactive posters

- etc, etc.

Back to Faul.......

Fauls illuminati mind programming bleeds through?

Like all Mind Programed slaves in the entertainment industry, the necessary programing of multiple personalities thats unknowingly inbedded deep in their psyche, bleeds through quite often every now and then making its way to the final tracks on their next cd, all polished and ready to be absorbed mentally as a new top-40 hit for the unknowing public to adore as fun free top 40 music.

[ In which the public will be programmed repeatedly listening over and over again whilst they carry on with their living responsibilities within the matrix ....... subliminally mind absorbing whatever covert mind "message" may be laced within the songs.]

This is what I feel what happened to Faul when he created the video for the song "Coming Up" and the lyrics to the Faul song Bellamy, which well get back to in a bit, but first lets start with Fauls video for "Coming up".

Let us first understand .......

THE EFFECTS OF MIND PROGRAMMING

The mind is a holographic type of memory. The psyche of a personality programmed person is a multiple image hologram.

The body is set up to match the mind. When one alter switches to another, another hologram seems to take control over the mind.

This is like the instructions for the body are written on a card, and when the switch occurs, the holographic cards are shuffled like a deck of cards. In fact, the programming have used this analogy as part of their programming codes.

Illuminati mind Programming creates a sense of identity loss as the persons main daily functioning personality is lost within the spectrum of fragmented "mind controlled" created compartments in the mind, complete with their own different personalities to match, all of which the programed person identifies with, only at key "Triggered" moments in time when a certain fragmented personality needs accessed for a particular reason/mission/agenda/etc and is released through a "Trigger" such as in the particular way an entertainment hypnotist utilizes his art of hypnotism in such a way that he can mind program someone to cluck like a chicken when they hear a certain noise or when a certain word is read or spoken aloud etc etc.

The video for Fauls song "Coming up"

looks like there was a bleedthrough of many multiple mind personalities all within Fauls head coming to life, all portrayed in the video, by him of course.

Some of the personalities in the video are as follows:

- Faul dressed as a 1964 Beatle Paul personality

- Faul as himself personality before joining the Beatles and replacing Paul

- Faul as his current personality as the singer

- Faul as a Ringo look-a-like personality on drums

.......just to name a few.

The video is very reminiscent of an aftermath bleedthrough of mind control trauma surfacing to the conscious mind ....... which just so happened to have found its way of expression,[path of least resistance] through the creation of a music video showcasing the inner truths hidden in plain sight.

Fauls song entitled:

Mr Bellamy

The lyrics for the Faul song entitled "Mr Bellamy" again seem to be reminiscent of an aftermath bleedthrough of mind control trauma surfacing to the conscious mind .......

I describe the lyrics for "Mr Bellamy" as:

"The voice of the inner mind of Trauma ....... finally finding peace within itself.......

.......Is talking to the outer mind of the reality matrix program ....... wanting no part of it anymore.......and the mind of the reality matrix program speaks in return ....... through the voice and actions of "The Authorities" responding to him as a mental health crisis .......

This songs lyrics again, are very reminiscent of an aftermath bleedthrough of mind control trauma surfacing to the conscious mind .......

.......which just so happened to have found its way of expression,[path of least resistance] through the creation of musical lyrics showcasing the inner truths hidden in plain sight.

Very similar to how the illuminati mind controlled artist Michael Jackson released a music video for his song "Leave Me Alone"....... which was filled with illuminati mind control bleed throughs in both lyrics and most definitely in the videos visuals.

At 1:17 in the video Reptilian Iguanas are seen bobbing their heads as Michael is on the way to entering a masticating mouth.

At 1:28 Michael looks at the reptilians, while the lyrics "just stop dogging me around" are heard.

At 1:41 Michael gies through the masticating mouth.

At 1:44 a brain appears accompanied by a Reptilian Alligator sneaking around it [the reptilian brain, or R-complex?]

At 2:08 an illuminati "Shrine to Liz" headline appears complete with illuminati pyramid.

At 2:16 Michael enters the illuminati "Shrine to Liz"[ard] passing Liz Taylor Pics and Pyramids.

At 2:52 and other parts of the video, many dogs in suits appear [dog star?]

Lemurs also appear [lemurian?]

At 3:16 a 2-headed goat.

At 3:25 a Reptilian Alligator with a red piano.

At 3:58 Michael has the strength and peace of mind to "be done with his captors" and breaks free from his media circus.

At 4:03 Symbolism of "The Spear of Destiny" or "The Spear of Longinus" is to the right.

At 4:18 Michael destroys the "Spear" symbol to pieces as he breaks free from his Binds and Captors [those who the spear represents].

At 4:33 Michael looks at peace....... standing in the "carnival of ruins" of his Re-Birth.

Leave Me Alone - 1987, around 21 years after this video premiered Michael converted to Islam and wrote a song entitled "Islam in my Veins".

Soon after Michael would then go on to making several live public fan gatherings in which he would desperately speak to the fans revealing the evils of the music business from his unique perspective.

Shortly after this, on June 25th 2009, Michael Jackson was reported to have Passed Away.......

Yet again this is very parallel to the story of Faul and his video "coming up" and his song "Mr Bellamy".

The Beatles were occultists that attracted the wrong people around them.

In an interview with Barbara Walters, Lennon assassin Mark David Chapman clearly demonstrated that he was a satanist.

In other words he was an errand boy. He would then go on to shoot Beatle John Lennon to death.

"Alone in my apartment back in Honolulu, I would strip naked and put on Beatles records and pray to Satan to give me the strength. I prayed for demons to enter my body to give me the power to kill" (cited by Evangelist Richard Ciarrocca, Observations, Dec. 1990).

“In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, "sought to recruit the Beatles.

The Beatles' album Sgt. Pepper was dedicated to satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley's death in 1947. The title song with the lyrics, "It was twenty years ago today..."

Crowley was born in 1875 and was called the "Great Beast." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction.

Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died.

In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil.”

A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the "founding father" of modern Satanism. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley.

Kenneth Anger

The movie Rosemary's baby was filmed in the Dakota were John Lennon was shot to death. It also appears that John Lennon knew the director personally.

“The Director of Rosemary’s Baby was Roman Polanski. (At a party in California in 1973, Lennon ‘went berserk, hurling a chair out the window, smashing mirrors, heaving a TV against the wall, and screaming nonsense about film director Roman Polanski being to blame’ - Giuliano)

It’s also interesting to note that when the Beatles went to India to see the Yogi, John Lennon took along Mia Farrow star of the movie Rosemary’s Baby. It would appear that birds of the same coven flock together.

Did this nobody Director Roman Polanski make a pact with the Hollywood coven in order that he be given a very choice script that would make him a successful film director?

So what is the price for fame in the underworld? It is the killing of your baby! This fact is even stressed in the movie Rosemary's Baby. In the movie, the coven demanded Rosemary's baby in return for her husband's success in Hollywood.

It was an amazing coincidence that the film had a plot that would be similarly played out a year later - Polanski's pregnant actress/wife Sharon Tate would be murdered by Charles Manson's followers.

Susan Atkins one of the killers stated that they wanted to remove the baby from Polanski's murdered wife Sharon Tate, but they ran out of time and had to flee the murder scene.

Was the death of Roman Polanski's baby a pre-payment for an Academy Award nomination for Polanski's for Best Adapted Screenplay. This movie became a critically-acclaimed and a commercially successful film. Director Roman Polanski was now on his way to the top of the heap of success.

Weeks before Lennon's death, on his latest album there was a song by Yoko Ono titled Kiss Kiss Kiss. When played backwards one can hear Yoko say, "I shot John Lennon."

This is the same album that Lennon's killer John Chapman listened to over and over again! Was Chapman under mind control induced by the album? Mind control plays a very important role in satanism.

It is no coincidence that Sirhan Sirhan who murdered Bobby Kennedy was very much involved with hypnosis and satanism. Just like, Sirhan Sirhan, Jack Ruby, (who assassinated Lee Harvey Oswald), Chapman claims to have no memory of what he did.

Now enter another mind control victim by the name of Charles Manson a satanic bill collector. His followers saw to it that Roman Polanski's wife was killed and would also attempt to cut out the baby.

In the movie Rosemary’s Baby, it is stressed that there is power in babies blood.

Could this be the reason why Sharon Tate’s baby was almost cut out of the womb by Susan Atkins Sadie Atkins not only wanted to remove the baby, but she also wanted to take out the eyes of the other murdered people, squash them against the walls, and cut off their fingers.

She stated, "We were going to mutilate them, but we didn’t have a chance to."

Rosemary The main character in the movie and was to have her baby taken away had the nickname "Ro" short for Rosemary.

I wonder what Roman Polanski's nick name was? Was it Ro? By the way, magicians wands are made from the wood of holly trees, thus we have Hollywood, and stars are the points of light that shine forth Lucifer's occultist wisdom.

Now that we know Mark Chapman and Charles Manson were receiving messages from Beatle albums, but let’s take it even further. Remember the Beatles White Album that Charles Manson got his murderous orders from.

On the album there is a song called Sexy Sadie. Well it turns out that this was the nickname of Susan Atkins. Now “Sadie Mae Glutz was the alias given to the Family member Susan Atkins by Manson even before the appearance of the White Album song 'Sexy Sadie!'"

It was Sadie's testimony in court that brought an end to the Manson family. Now read the lyrics below from the Beatles song Sexy Sadie.

Susan Atkins

"Sexy Sadie what have you done"

Sexy Sadie Beatles “White album” Year 1968

Sexy Sadie what have you done

You made a fool of everyone

You made a fool of everyone

Sexy Sadie ooh what have you done.

Sexy Sadie you broke the rules

You laid it down for all (the court) to see

You laid it down for all to see

Sexy Sadie oooh you broke the rules.

One sunny day the world was waiting for a lover

She came along to turn on everyone

Sexy Sadie the greatest (Manson killer)of them all.

(Susan Atkins was a sexual lover of the Manson family)

Sexy Sadie how did you know

The world was waiting just for you

The world was waiting just for you

Sexy Sadie oooh how did you know.

Sexy Sadie you'll get yours yet

However big you think you are

However big you think you are

Sexy Sadie oooh you'll get yours yet.

Susan Atkins often bragged and boasted about the killings to her cell mate.

We gave her everything we owned just to sit at her table

Just a smile would lighten everything

Sexy Sadie she's the latest and the greatest of them all.

She made a fool of everyone

Sexy Sadie.

However big you think you are

Sexy Sadie.

Brackets by author

Another nickname of Susan Atkins was Sadie Mae Glutz

SUSAN DENISE ATKINS

AKA: Sadie Mae Glutz, Sexy Sadie, Donna Kay Powell, Sharon King

DOB: 5.7.48

Order of the Rainbow Color: Violet

Prisoner ID: W08304

Prison: California Institute for Women(at Frontera)

Susan Atkins emerges from a coffin during Anton LaVey's Witches Sabbath Review

It has been stated that the song describes Lennon's total dissatisfaction with the Maharishi. While at his retreat, it has been said that the Maharishi attempted to rape Mia Farrow.

John Lennon was known to stretch the truth at times and this explanation sounds rather suspicious. I can imagine John Lennon would feel very uneasy saying the song was about a Manson Family killer.

Maggie Mae (Written by Lennon/McCartney/Harrison/Starkey)

Album “Let it be” Year 1970

Oh dirty Maggie Mae they have taken her away

And she never walk down Lime Street any more

Oh the judge he guilty found her

For robbing a homeward bounder

That dirty no good robbin' Maggie Mae

To the port of Liverpool

They returned me to

Two pounds ten a week, that was my pay.

Beatles “Let It Be” Album

May 8th 1970

Susan Atkins aka Sadie Mae Glutz

(Sexy) Sadie (Dirty Maggie Mae) Sadie Glutz ("Manson's Slut").

Well "they have taken her away And she'll never walk down Lime (light) Street anymore Oh the judge he guilty found her..."

Speculation: Could the above lyrics also be a metaphor for black mail?

So why was Sharon Tate chosen to die. My feeling is that Roman Polanski made a pact with the Hollywood coven to exchange his child for his own success and fame.

He was a unknown movie director until he was handed a script that would make him an instant success. So why give a major script to a basically unknown and un-established director?

Why is because of his sacrificial offering of his child that would have to be made in the future. Charles Manson would be the grocery clerk coming for payment for a bill.

Charles Manson

Sadie had stated that Sharon Tate had been the last to die because, "She had to watch the others die." By all accounts, Tate died in excruciating fear and agony.

Bugliosi gives Atkins’ account: she was holding Sharon Tate at the time and, “Tex came back and he looked at her and he said, ‘Kill her.” And I killed her... And I just stabbed her and she fell, and I stabbed her again.

I don’t know how many times I stabbed her...” Sharon begged for the life of her baby, but Atkins told her, “Shut up. I don’t want to hear it.”

“Before he killed him, Charles “Tex” Watson told Voytek Frykowski: ‘I am the Devil and I am here to do the Devil’s business.’” Months later at the trial, Manson’s “disciples” were said to have been utterly under his power.

Sharon Tate's unborn baby, killed by the Manson family, was named Paul Richard Polanski. It was a male child.

Beatles often stayed at Tate residence (?)

In the famous 1970 Rolling Stone interview, Lennon suggested that he, George Harrison and Ringo Starr took their second LSD trip at Doris Day’s house in California while touring with the Beatles.

He may have been referring, unwittingly, to 10050 Cielo Drive, Bel Air, Los Angeles, California, the house where Sharon Tate and four others were murdered.

As previously stated, Doris Day’s son, Terry Melcher, had allowed Roman Polankski and his wife, Sharon Tate, to take over his unexpired lease about six months prior to the murders. Here is what Lennon said about his first and second experiences with LSD:

- A dentist in London…laid it [first LSD pills] on George, me and our wives [Cynthia Powell Lennon and Patty Boyd Harrison] without telling us at a dinner party at his house [in London]… And then, well, we just decided to take it again in California…We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay. And the three of us took it. Ringo, George and I. I think maybe Neil [Aspinall, a roadie]. And a couple of the Byrds…[David] Crosby and the other guy, who used to be the leader…[Roger] McGuinn. I think they came round, I’m not sure, on a few trips.

Lennon’s memory of his second LSD trip was a bit fussy, but he mentioned some interesting people and places: Doris Day’s house, the Byrds. Earlier I mentioned that Terry Melcher produced the Byrds’ first two albums.

As stated before, Melcher’s mother is Doris Day. Sharon Tate and her four companions were killed at a house in LA where Melcher had lived six months earlier.

It might have been owned by Melcher’s mom, or maybe Lennon knew she was connected with the house somehow, so he referred to it as Doris Day’s house.

Not only does Lennon unwittingly suggest that he and two other Beatles—George and Ringo—took their second acid trip in the house where Sharon Tate was murdered, he further intimates that the Beatles stayed at that house quite often while touring California.

Here is the key statement again:

"We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay."

The words "wherever it was we used to stay" describe a place the Beatles stayed at frequently while on tour.

John Lennon Murder

John Lennon with his killer Mark Chapman in background [pic]

John Hinkley who attempted to assassinate President Ronald Reagan "followed as exactly as he possibly could EVERY SINGLE MOVE that Mark David CHAPMAN had made, in the days before CHAPMAN murdered John Lennon.

Even MORE bizarre: at the time of their respective arrests following both shooting incidents, John Hinckley AND Mark David Chapman were each carrying on their person a paperback copy of the J.D. Salinger novel, ’CATCHER IN THE RYE.’ (AS did the MK-Ultra mind-controlled assassin Jerry played by Mel Gibson in the surprisingly revealing movie Conspiracy Theory.)

J.D. Salinger, certainly a gifted author, had SUBSTANTIAL and enduring ties to the U.S. intelligence community; in particular, the CIA. Was the book originally intended to be a mind-control programming tool? It's hard to say, but not inconceivable.

SO: Hinckley traced Chapman's footsteps, as it were, in an incredibly eerie AND incredibly REVEALING, scripted tableau; which culminated, as it did with Chapman, in mind-controlled Manchurian Candidate assassin Hinckley shooting his prey on the New York City streets.

Which indeed, brings up yet a FURTHER point. Hinckley FIRST CAME to New York WELL BEFORE his attempt to assassinate Reagan, in order to prepare himself for his assigned role by imitating Chapman's moves and actions of a few months before.

SO: HOW did Hinckley KNOW, several weeks BEFORE-hand, that Reagan was going to be at the place in New York City were Hinckley would shoot him, AND the DAY and TIME Reagan would be there??

SOMEBODY on the "INSIDE," who knew Reagan's schedule some time in advance, positioned Hinckley in New York well before the date of the attempted assassination of Reagan.

Somebody like George BUSH, Sr., maybe? Trying to get a jump on taking over as President? Or, maybe just sending ol' Ronnie a VERY strong, clear message about who the "boss" really was...

Beatle member George Harrison was the next to die and died from cancer. In the murky world of the occult there are many convenient deaths due to cancer.

The occult bill collector had already come once in a previous failed attempt to kill Harrison with a knife. I find this rather curios when comparing real life to the Beatle movie called Help.

In the movie Ringo is given a ring that makes him the target of a cult which wants to sacrifice him! They continually chase after him with a knife!

SANTA MONICA, December 30, 1999 -- Another Beatle victimized by violence.

Ex-Mop Top George Harrison was stabbed at his London-area home today by a knife-wielding intruder, reports say. Harrison, 56, was stabbed once in the chest before fending off the attacker.

His wife, Olivia, suffered minor head injuries in the attack, but did not require hospitalization….The attack, which reportedly took place sometime around 3:30 a.m. London time, was said to have shocked residents of the quiet, upper-class community of Henley-On-Thames.

Harrison's estate was thought to be particularly well guarded. It reportedly featured 24-hour security, patrol dogs and barbed wire fencing. British authorities said they were investigating burglary as a possible motive.

A 33-year-old man -- a resident of the Beatles' own Liverpool -- was arrested and booked on suspicion of attempted murder.

Harrison's stabbing comes 19 years after fellow ex-bandmate John Lennon was shot and killed outside his New York apartment by obsessed fan Mark David Chapman.

Occultists often use so called sacred numbers to bring them power. Sacrifices are often made on the bases of these numbers. Prime sacred numbers are 3, 6, 7, 9, 11. Sacred multiples are 19, 21, 33.

Note the year that Harrison’s attack took place. It was in 1999. Inverted with the one left out you have 666, the most sacred number of all. He was 56 years old. 5+6=11 which is a very sacred number representing the antichrist known as the 11th horn.

Note too that he is stabbed by a man who just happens to be 33 years old. This too is a very sacred number since it is 3X11. He was also attacked around 3:30 am (33).

Another interesting event was that Prime Minister Chretien of Canada was attacked by a young man with knife too. The man somehow got through the intense home security and found his way in to into the Prime Ministers home late at night. This murder attempt failed.

Conclusion

My feeling is that that the Beatles were members of the same Hollywood occult as Roman Polanski. The Movie Rosemary’s Baby was a future template of what was going to happen to Polanski’s wife Sharon Tate.

Also the songs recorded by the Beatles seem to indicate that they were mind control. I believe that songs like Helter Skelter, which Charles Manson felt he got his orders to kill from, were recorded by the Beatles for that express purpose.

As in the movie Rosemary’s Baby, I believe Sharon Tate was manipulated and set up by all the people around her, and those she loved and trusted including her own husband. She was the sacrifice to satan for all Polanski’s success. I for one was not fooled by Polanski's sparse tears during interviews.

Interesting to note that Mia Farrow who played Rosemary allegedly feared she would be the next victim of the murder spree. In her 1968 excursion to India with John Lennon of The Beatles, John wrote 'Dear Prudence' (also a song on White Album) for Mia Farrow's younger sister.

Mark Chapman was the name of Lennon's killer - Winifred Chapman was the maid who had first found the bodies at 10050 Cielo Drive.

Coincidences?

-Roman Polanski had done a prior movie called, Knife in the Water 1962

-George Harrison attacked by man with knife.

-All through the movie Help, Beatle Ringo Star is chased by religious fanatics that are armed with a knife.

-Susan Atkins was going to remove Sharon Tate's baby with a knife.

-Susan Atkins was a member Anton Szandor LaVey's Church of Satan.

-Nick names of Susan Atkins Sadie Mae Glutz, Sexy Sadie, Violet Sharon King, Donna Kay Powell.

-In the name (Charles) Manson, if you remove the "n" you are left with the word Mason.

-The Beatles White album was recorded between May 30th 1968 and October 13th 1968 and released Nov 22, 1968. November 22 was the fifth anniversary of the John F. Kennedy assassination.

-Actress friend of John Lennon Mia Farrow was the star of the movie Rosemary's Baby which was filmed in the the Dakota apartment block where John Lennon lived and was killed.

Theatrical Release: Rosemary’s Baby

June 12 1968

June's numeric value is 6 (the sixth month). Interesting to note too is the fact that 12 = 6+6. So 12 is six twice. You are then left with 666, (satan in the flesh).

"There is no comfort in the coven of the witch Some very clever doctor went and sterilized the bitch (Sharon Tate?) And the only man of energy, (Manson?) yes the "revolution’s" pride (Manson's revolution?) He trained a hundred women (Manson's women?) just to kill an unborn child.(Sharon Tate's baby?) " —Leonard Cohen- “No Diamonds in the Mine” Brackets mine.

Charles Manson believed in a revolution between blacks and whites which he called "Helter Skelter" after a Beatle song by the same name.

Sharon Tate

Date of birth 24 (=6) January 1943, Dallas, Texas, USA

Date of death: 9 August 1969

Note the three 9s in this date. Inverted it becomes 666! The number of Rosemary's baby.

One year prior to the death of Sharon Tate, the Beatles White album is released on November 22, 1968. On the album John Lennon sings a song about Susan Atkins being implicated in something that will not happen until one year later in the future.

It would appear that John Lennon personally knew Susan Atkins a year before she murdered Sharon Tate. She murdered Sharon Tate because of orders from Charles Manson who in turn heard his orders from the Beatles White album.

They were secret messages that only Manson could perceive. He seemed to be under mind control with the album acting as a vehicle.

The Beatles were created and put together by Tavistock a mind control center in England.

It is obvious that Charles Manson was receiving "trigger words" from the White album. This is the same album that Mark Chapman listened to before he murdered John Lennon. Ironic is it not?

Years later with President Ford in the White house, then Vice President Nelson Rockefeller was just a heartbeat away from becoming leader of the free world.

With Rocky as Vice President, if anything should befall Ford at that time, he would instantly become President. Well, time to send in Manson's followers once again.

One of Manson's followers Lynette "Squeaky" Fromme steps out in a failed assassination attempt against President Ford. (September 5, 1975) Two weeks later another woman Sara Jane Moore attempts another assassination with a handgun. (September 22, 1975)

30 Dec 1999 Paranoid schizophrenic Michael Abram breaks into the home of George Harrison and stabs him several times in the chest. Voices in Abram's head told him that the former Beatles were witches.

In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, "sought to recruit the Beatles.

A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the "founding father" of modern Satanism, Aleister Crowley. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Aleister Crowley.

Crowley was born in 1875 and was called the "Great Beast 666." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus."

Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Kenneth Anger, like Crowley, is a Magus, and appears to be the heir to Crowley.

"They're COMPLETELY ANTI-CHRIST. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy thing." Derek Taylor, Press Officer for the Beatles

"I believed that he was Satan himself at times" George Martin, Beatles Producer

"Jesus, a garlic-eating, stinking little yellow, greasy fascist bastard catholic Spaniard." John Lennon, A Spaniard in the Works, p.14)

"Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right. You just wait.. . .We're more powerfull than Jesus ever was.." Jesus was all right, but his disciples were thick and ordinary. It's them twisting it that ruins it for me." John Lennon

Knife scene in Rosemary's Baby

Lennon was shot to death outside the Dakota apartment block

The Dakota where John Lennon was sacrificed and where the movie Rosemary's Baby was filmed From Readers From Melanie: "...you forgot to mention the re-release date of the whole beatles catalog was 9/9/09."

A book by Joseph Niezgoda - The Lennon Prophecy, A New Examination of the Death Clues of the Beatles - makes a good case for John Lennon making a pact with Satan in exchange for fame and fortune.

The author is a first generation Beatle fan, has read every book out on the rock group, and admits conflict with his love of the music and the evil that he perceives surrounds it.

a year project - was an effort, he said, to try to define or make sense of that evil.

In fact, this is the book I was always planning to write about the Beatles.

Since I threw out my Beatles albums along with the rest of my rock music many years ago, I’ve been gathering facts about the clues and signs of a Satanic link, evidence of camaraderie with occultists and their dabbling with the occult. Believe me, plenty exists.

There is nothing new in the facts Niezgoda presents – they were all out there. He just brings “the clues” – as he calls them – together to make a convincing case of Lennon’s pact with Satan.

I believe it’s a valid thesis, although I would go further and say the other Beatles’ also signed the contract. Throughout the book, he certainly implicates the whole group as linked to the occult.

Niezgoda starts his book with the well-known remark Lennon made to his friend Tony Sheridan in the mid-1960s: “I’ve sold my soul to the Devil.” In the next chapters he goes on to show how this nobody group of British miscreants rose to fame: It is explained by a pact John Lennon made with the Devil for fame and fortune.

The pact

When was the pact made? Niezgoda pinpoints the date - December 27, 1960, the night the Beatles played at the Town Hall Ball Room in Litherland, England.

Lennon was a 20-year old wanna-be rock star in a mediocre band not so different from so many others at the time. He was desperate to “be more famous than Elvis.” Desperate enough to sell his soul to the Devil, Niezgoda contends.

During that performance, Niezgoda reports, “the Beatles evoked a response noticeably different from anything in their past.” As they played, the crowd unexpectedly surged onto the stage and the girls started to scream.

It had never happened before, but it would always happen afterward. It was the birth of Beatlemania. All four have noted this night as the turning point in their careers.

Even though I have no specific study on the topic to object to this date, I believe it more likely that the pact was made some days before that date. This would give the Devil time to prepare the fans for that exaggerated reaction on December 27.

Niezgoda also says that this gig marks the beginning of Lennon's avowedly anti-Christian behavior. From biographies of Lennon, he presents many profane acts Lennon carried out publicly with no apparent purpose but to blaspheme Christ.

Twenty years later on December 8, 1980, Mark David Chapman fired five shots from a revolver at Lennon in front of the Dakota building in New York, where Yoko and John had an apartment – on the same floor, by the way, where Rosemary’s Baby was filmed. Lennon died shortly afterward.

If John had entered into a 20-year pact with the Devil for wealth and world fame, that contract ended that day with his violent death. Mark Chapman would later claim he was instructed to kill Lennon by a voice in his head that kept insisting “Do it, do it, do it.”

Five years later at Attica State Prison, Chapman asked for an exorcism to be made by a priest. He said he was delivered from five or six demons.

The clues

Much of the book is an examination of “the clues” left by the Beatles themselves on album covers and in the music – clues that point to ties with the occult and the theory that Lennon knew the time and place of his death.

To demonstrate his thesis, he follows a well-documented trail of sorcery, mysticism, numerology, backwards masking, and anagrams.

He claims that clues foretelling the death of Lennon are revealed in album covers such as Rubber Soul, Yesterday and Today, A Collection of Beatles Oldies, Sgt. Pepper’s Lonely Hearts Club Band, Yellow Submarine, Magical Mystery Tour, Abbey Road as well as Lennon solo albums Imagine and Walls and Bridges. In my opinion, you have to stretch a bit some of these clues to arrive at his thesis. But putting them all together, one finds the evidence compelling and even a bit frightening.

For example, the album cover of The Beatles Yesterday and Today, released in 1966, may say nothing about Lennon’s death, but it literally shouts that the so-called Fab Four were involved in Satanism.

Called the “butcher cover”, in it the Beatles pose in butcher smocks with raw meat, eyeballs and decapitated babies draped over their laps and shoulder.

This horrendous picture clearly refers to the kind of infanticide that takes place in Satanic rituals and Devil worships, Niezgoda affirms. It is the only credible way I see to explain the message of the picture – it’s surely not just avant-garde art.

Take a look yourself and see if you would say it’s just merry pranksters making a joke, as some Beatles’ fans pretend.

The author also finds many “clues” in lyrics that also reveal the mysterious prediction of Lennon’s death and connections to the Devil. It’s not so ludicrous as you might think.

Songs often came to Lennon in dreams – and usually became major hits. It’s why he always kept a pad of paper and pencil nearby.

In one of Lennon’s last songs, Help me to help myself, he could well have been revealing he realized that his time was running out. The song begin:

“Well, I tried so hard to stay alive, But the angel of destruction keeps on hounding me all around. But I know in my heart that we never really parted, oh no.” In the final moments of the song, Lennon can be heard talking in a faint voice saying, “I see. I see. That’s how you’re going to do it. Hun, OK.”

As Niezgoda insists, there is nothing in this book that is not already in the public domain. All he did was connect the dots, and the resulting picture reveals occult links and the strong possibility that the Beatles had preternatural help in their rise to fame.

Parris V Stefanow

BEATLE IMPOSTER FAUL EVIDENCE CHARTS SHOWING PROOF THAT THE REAL PAUL McCARTNEY WAS REPLACED BY A CELEBRITY LOOK-A-LIKE IMPOSTER NAMED WILLIAM [BILL] SHEPHERD IN 1966 VIDEO: https://youtu.be/v2fjkWswyzI?si=cjQu0OHub8LCYNkS

https://www.traditioninaction.org/bkreviews/A_026br_LennonProphecy.htm

http://everyoneisaracist.blogspot.com/2013/12/the-beatles-charles-manson-and-occult.html?m=1

Fauls video link for "Coming up":

https://youtu.be/g5nzLQ63c9E?si=C9QczJvrj8LqjwpG

Fauls video link for the song "Mr Bellamy" :

https://youtu.be/OQpY1zTZguY?si=MPXXwpd6BS-o9yUd

https://www.bibliotecapleyades.net/ciencia/ciencia_matrix57d.htm

https://www.bibliotecapleyades.net/sociopolitica/newage_illuminati/illuminati_04.htm

https://www.bibliotecapleyades.net/sociopolitica/codex_magica/codex_magica07.htm

BEATLES MIND CONTROL EXPERIMENT:

https://www.parrisvstefanow.com/post/beatles-mind-control-experiment

FAUL AKA FAKE PAUL McCARTNEY ADMITS HES THE IMPOSTER PAUL McCARTNEY LOOK-A-LIKE IN AN INTERVIEW WITH DAVID LETTERMAN AND GIVES THE FREEMASON “SHUSH” BE QUIET SYMBOL: VIDEO:

https://www.parrisvstefanow.com/post/faul-aka-fake-paul-mccartney-admits-hes-the-imposter-paul-mccartney-look-a-like-in-an-interview-with

BEATLE IMPOSTER FAUL EVIDENCE CHARTS SHOWING PROOF THAT THE REAL PAUL McCARTNEY WAS REPLACED BY A CELEBRITY LOOK-A-LIKE IMPOSTER NAMED WILLIAM [BILL] SHEPHERD IN 1966: VIDEO: https://www.parrisvstefanow.com/post/beatle-imposter-faul-evidence-charts-showing-proof-that-the-real-paul-mccartney-was-replaced-by-a-ce

YOKO [ONO] THE DEMON OF DESIRE AND JOHN LENNONS ASSASSINATION: https://www.parrisvstefanow.com/post/yoko-ono-the-demon-of-desire

ROCK AND ROLL WAS CREATED TO MIND CONTROL AKA THE AQUARIAN CONSPIRACY: https://www.parrisvstefanow.com/post/rock-and-roll-was-created-to-mind-control-aka-the-aquarian-conspiracy

#Beatles #PopulationControl #MindControl #HumanPopCulture #EntertainmentIndustry #DemonicMasonic #RockAndRoll

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